I've been really busy lately, traveling up and down western Washington State, hiking and photographing both beaten and unbeaten paths. It began by trying to take advantage of a streak of good weather and morphed into chasing the autumn colors as the weather got colder. Hikes include: Alpine Lake Wilderness, Denny Creek, Mount Fremont Lookout, Annette Lake, Lake Twentytwo and Artist Point. All of these on consecutive weekends, and even some weekdays, over the past 3 weeks. And in that time I think I've posted just once. Maybe twice. So, here are 3 photos from the past week.
Today, despite watching others do this for years, I've finally started using it for its intended purpose: modifying photographs to create images that don't exist in real life. I guess you can infer by my tone that I'm not a huge fan of photo manipulation, and you'd be correct. There's a fine line between photography and art and I feel wholesale manipulation of the image to create something that cannot be captured in whole, within the camera, as dishonest. However, I draw that line at profitability. If you're profiting from a reputation as a photographer while creating digital art and misrepresenting it as a photograph, I take issue with that. If you're creating art for the sake of it and representing it as such, for profit or not, I have no problem. The gray area is of course the line between reality and art. What I did, while photorealistic, is what I would classify as art because you couldn't recreate my result in a single photograph.
A week before the Fremont hike, I grabbed a Shimoda Designs Explore 40 kit from Glazer's Camera. After transferring my gear from the LowePro to the Shimoda, I weighed it and it came out to only 24 lbs. Once I fully loaded the pack with extra clothes, food, water and the extra photography gear needed, it topped 42 lbs. Despite the extra weight, and with a pair of hiking poles, I made it up and down the mountain with my back in far better condition than the previous 2 weekends.
My friend Craig and I have been planning to hit Keekwulee and Snowshoe Falls on the way to the Alpine Lakes Wilderness in Mt. Baker/Snoqualmie National Forest for 2 years now and it's never come to pass. However, I recently was able to hit Keekwulee Falls with my girlfriend last weekend. It would've been better with more water, say after the spring thaw or between autumn rains, but that would also make it far more difficult to reach as you have to ford the very stream the waterfall is upstream of. Despite the unimpressive flow, the granite formations were spectacular. There were also enough pikas running around and whistling to fill a Disney movie.
If you didn't already know, the Gitzo Mountaineer Series 0 and 1 Tripods come with fixed rubber feet. I can't speak for the 3 section versions, but generally the Mountaineer Series 2 and up come with 3/8"-16 threaded interchangeable feet, while those below have permanently affixed rubber feet. So I decided to buy a final leg section and foot for the GT1545T Traveler, already knowing it shared the 14.7mm leg diameter with my GT1542 Mountaineer but comes with a threaded cap to support 1/4”-20 interchangeable feet. The part number for the leg section is D106023 and the foot is D108623.
Single row panoramas have always seemed to thwart me. Either the scene was never appropriate or they wouldn't stitch for one reason or another. After getting the stuff I needed to establish the nodal point on a couple of my lenses, I decided to give it another go from Kerry Park.
First, and most importantly, know what genres of photography you enjoy the most and if that genre requires a tripod. Then, buy the largest, highest quality tripod you're willing to carry that fits in your budget. Specifically in that order; do not put budget ahead of any other aspect of the tripod. If you go too cheap, you may very well end up with a tripod that meets none of your needs when you're forced to replace it due to instability or fragility. The adage, "buy cheap, buy twice (or more)" applies here.
Shot the Blue Angels performing on Sunday from the top of my condo building. This year, I benefitted from both the autofocus speed of the Fujifilm X-T3 and the reach of the XF 100-400mm ƒ/4.5-5.6 lens. The result was being able to actually see into the cockpits during some of the low passes around downtown. This is also without the 2x teleconverter installed, whose 2 stops of reduced light gathering would have slowed down the shutter speed to being nearly unusable.
Just a few photos of the local deer on our last morning in Long Beach. They came by for breakfast, the doe bringing her two fawns, approaching our balcony as if she’d remembered that I was out feeding them apples the night before. They sat patiently below our balcony as we dropped bananas and apples for them, posing for photos before moving on to the next set of condos. These deer definitely have us trained well.