The first three were taken before the penumbra even reached the moon. The weather had just begun to clear but a few clouds still managed to cross the sky before clearing moments before the Earth's penumbra began to cast itself upon the moon's surface. The full moon's glow and reflection on the passing clouds created an eerie look that was just too good to not photograph. All three were bracketed shots but the second is an HDR stacked in Lightroom. The first and third were fully recoverable from single images at the proper exposure.
It'd been a while so I decided to attend the Glazer's Photowalk on Sunday, Jan 13th in West Seattle. The weather cooperated despite being in the bowels of winter but it was a bit TOO sunny, creating harsh shadows and contrast for the outdoor exercise. I chose to shoot with my 85mm equivalent, the 56mm ƒ/1.2, allowing me to keep some distance between me and my subjects while permitting me to fill the frame with subjects should I choose to do so. The large aperture also allowed for shallow depth of field shots. To do so, I used a 6-stop ND filter, giving me the ability to shoot with a shutter speed that prevented motion blur despite the bright, cloudless skies. It also gave me enough leeway to add blur by drilling down the aperture only a bit.
So I had this vision in mind: I wanted to get a photo of the Space Needle superimposed on Mt. Rainier. Now that I have the 100-400mm ƒ/4.5-5.6 lens from Fujifilm, I'm able to get this shot... if it's even possible. I've seen others who've composited the Space Needle onto a photo of Mt. Rainier, or Mt. Baker, and even Mt. Hood (uh, wtf?) and the results always look less than stellar, mostly because I've lived here most of my life and I know those shots weren't possible using the angles they'd chosen of either object. I wanted to do this for real, all in camera, so I consulted a map and looked around Queen Anne hill and settled on Bhy Kracke Park.
I went out and bought the Fujifilm X-T3 on release day, which was September 20th. The spec sheet intrigued me because a lot of the bullet points revealed improvements that would improve my ability to shoot under less than optimal conditions, situations that can sometimes stump my X-T2. Mind you, this is not my review of the X-T3. That will come later when I've spent more time with it. As for the features relevant to me, they are as follows:
I went back and took a fresh look at some of the photos taken during my vacation in Long Beach, WA. Decided to process some of them with the Acros emulsion courtesy of Fujifilm and Lightroom. As a peek into my process, I normally shoot in the default Provia simulation but rarely use the OOC jpegs. My preference is to manually post process from a RAW file converted from the original RAF using X-Transformer. The first step in Lightroom is to add a Fujifilm emulsion, either Provia or Astia for portraits, or Provia or Velvia for landscapes. If the photo calls for it, I'll then return later and apply the Acros emulsion once all other adjustments have been completed.
Every year for the Seafair air show, the Boeing Museum of Flight holds their Jet Blast Bash, inviting fans of aircraft of all types to watch the U.S. Navy's Blue Angels preflight demonstration and takeoff. Although you don't get a view of the actual air show demonstration that takes place in the box over Lake Washington, it's a great alternative to the endless crowds at Genessee Park if you care more about the airplanes than the hydroplanes.
About a month ago, LowePro began to ship their newly design Freeline 350 Backpack. The one thing about the Peak Design pack was the fully configurable interior using a unique shelf design instead of a series of hook and loop pads. LowePro borrowed this interior design, improving it by making the whole system removable, not only to give the backpack more versatility but to make configuring it far easier. This was the first thing I noticed.
Last weekend I took a few photos of Snoqualmie Falls while staying at Salish Lodge. The weather was gray, the clouds lifeless. The photos didn't come out half bad, all things considered, but then I decided today to process a few with the Acros film emulsion. Suddenly the photos came to life.
went to Suncadia to take a week off from the city. being out near Cle Elum, it was also a chance to escape the light pollution of western Washington and attempt to capture the Milky Way Galaxy now that it's mostly above the horizon at my latitude. while I have ultra-wide lenses and fast lenses, I have not one that's both, so I chose to use the ultra-wide lens for increased opportunities for composition since I was shooting from a gap in the woods.