So, I bought the URL "oakie.photo" today. I've spent the last few months trying to decide if, and how, I'd want to monetize the 4-5 photos I've taken that seem to hold value for people besides me. Why "oakie.photo"? Well, it's simple. That's it, it's simple. Simple to remember and promote. Two words, one dot, and it makes for equally simple subdomains and links. I considered the ubiquitous, "Name Here Photography" for a split second and quickly canned it; just adding 6 more letters to type into an address bar disqualified it, along with being a flashing sign of having no creativity. Sure, you could argue my choice is equally uncreative, but it's efficient and easy to remember. Lack of pluralization may compromise elegance for efficiency but who knows?
I finally bought it and it’s on its way. At $569, it was a hard sell, as I waited nearly a year before deciding its value overcame the price tag for me. The Fujifilm EVF-TL1 viewfinder tilt adapter for the GFX 50S and GFX 100 is attached between the removable electronic viewfinder and the camera body, allowing you to tilt the eyepiece up to 90⁰ upward to use the camera in a waist-level/chest-level viewfinder mode or pitched ±45⁰ when in portrait orientation. It gives the EVF far more versatility to be used in awkward positions where you'd normally have to resort to using the 2½-way rear LCD.
The ZX1 is a $6000 time bomb set to go off in 2 years. It won't even be sellable in 2 years, much less for even half the price, as the hardware required to run the software will be considered "legacy." Zeiss will have to scrap and refresh the internals every 2-3 years to keep pace with the smartphone industry that ARM, Google and Adobe are tied to. I'm afraid Zeiss has failed to truly consider all of this; Samsung, who has their own smartphone division, tried this years ago with the Galaxy NX line of point and shoots and APS-C mirrorless and scrapped it when faced with the choice between trying to sell outdated cameras for a profit versus annual camera refreshes that made them unprofitable. Ultimately, the product cycles of digital cameras and smartphones were just too dissimilar to be profitable. If I'm not buying one for $6000, and you're not buying one for $6000, who's buying this camera?
Usually the 85mm, or equivalent, lens offered on a system is one of their best lenses optically due to its popularity for portrait photography. The Fujifilm GF 110mm ƒ/2 is no different in this regard. Despite being one of Fujifilm’s first 3 lenses for the GFX system when it was released in 2017, the formula still holds up. The hype surrounding the GFX 100’s release last year also caused a resurgence in this lens’ profile and popularity. It’s reputation has reached near mythic proportions and for good reason: this is an excellently performing lens. It’s not without its flaws, but it has the right combination of flaws to give it character.
It took a fair bit longer than I’d implied but I’ve finally started on those lens reviews. If you’re new here, my reviews are really laid back and non-technical. I tend to focus more on the impact they’ll make on your photography and whether they’re worth your investment. For those outside the Fujifilm system, they’re a sampling of what you can expect from the brand.
Stuck in both a depressive state and a creative rut, with each feeding off each other to create a negative feedback loop. The former isn’t necessarily tied to the latter, although the latter is a symptom of the former. Also affecting the situation is my stress induced psoriasis negatively impacting my desire to go out and attempt to break the cycle, further deepening my depression and lengthening this creative dry spell. My first notion was to sell everything and find a new hobby. It also doesn’t help that my penchant for landscape, nature and astrophotography are heavily impacted by my inability to drive; this reliance on others is a constant source of both anxiety and depression for me.
My real issue is the lack of an ultrawide zoom. 3 years on and Fujifilm continues to neglect all of the landscape photographers they try to market this system toward. There have been rumors of a 20-36mm ƒ/3.5-4.5 but nothing official has been announced. You’d think this would be a priority... instead we got a 50mm pancake, 30mm ƒ/3.5 and the 45-100mm ƒ/4. The latter filled a huge hole in their lineup but the other 2 seem to serve only the GFX 50R buyers. Landscape users are left in the lurch for yet another year, unrewarded for our patience and dedication.
Now is an excellent time to get into medium format digital. However, there are a few things you need to know about it. Ignorance to these facts can result in an extreme level of dissatisfaction and regret if you don’t know what you’re getting for what’s inarguably still a large chunk of change. You’ll also need to honestly evaluate what sort of photographer you are and your expectations. While all of the technological and photographic principles are the same, medium format is a whole different beast.
The last argument for enthusiast and professional level APS-C bodies has been about the balance between size and performance. The best APS-C cameras have been able to provide 95% of the image quality and speed while taking up only 66% of the size and weight of a 35mm “full frame” body. With the introduction of Sony’s α7C, has that argument now been mooted? Has Fujifilm been left alone on the dance floor? Let’s be realistic: like megapixel counts, sensor size has become the latest dick matching spec. And just like the desire to compare dicks side by side, even if you win, you’re still in the closet. There are some tangible benefits to a larger sensor, no doubt, but does the beginner photographer actually benefit? There are also situations where the crop factor of the smaller sensor can benefit a potential owner and there’s also lens size to contend with. However, the former can be added as a software feature and the latter has been addressed long ago with simpler, more compact optical formulas.
I just read another article, this time from DPReview, comparing tripods and the author mentions paying attention to the load capacity so you can safely hang your bag from the hook for more stability.
CUT IT OUT!!! STOP HANGING YOUR BAGS FROM YOUR TRIPOD!!!
Read on for a better, safer way to stabilize your tripod.
I'll make this quick: this is the best middleweight backpack I've found for photography so far. It's not the fastest or most rugged, but it's the most versatile and comfortable. Let me explain.
A quick comparison between two products designed mostly to perform the same function. In case you're not familiar with an L-bracket, it's function is purely to allow rotation of your camera by 90 degrees while keeping it balanced on the X axis of your tripod. This is especially important for panoramas so the camera yaws directly over the center point rather than circumnavigating it, which alters the perspective enough to make stitching the result more difficult or even impossible.
While I often strayed away from repeatable testing to include a healthy amount of subjectivity, I'm now embracing my biases and forgoing all pretense of being "unbiased," and here's why: I have my skin, aka wallet, in the game. Unlike others who are receiving review units, renting, being gifted items to review or receiving some form of compensation, I'm reviewing stuff that I've actually bought. These are things I've intensely researched, bought, used, and intend to keep. Sometimes I buy purely out of objective needs, like my ND filters. Other times, I'm driven by subjective factors, like my choice to use Fujifilm bodies and lenses. Either way, my purchases are made based on a conclusion I've formed from equal parts objectivity and bias.
I am biased. My reviews are biased. I'm not justifying my purchases to anyone but I simply cannot claim to be unbiased when reviewing my own gear.
The goal of my reviews are to identify potential pitfalls to avoid the expense of experimentation. It's not my goal to tell you what to buy; my desire is to expose aspects of an item only an owner would notice. There can be things that you're blind to upon purchase, features and issues that can make or break it for you, and this jeopardy goes up exponentially as the price increases, especially if bought used.
This is my choice to be an advocate and to avoid being an "influencer."
While others have found the pandemic to be an opportunity to do more personal projects, and document them, I've found it has affected me a bit differently. My girlfriend is a neurotic RN, so I've had to respond a little differently and haven't had the free time to work on things like my journal or this blog. Now that things are starting to return to normal, I'm slowly starting to integrate all of the things I was doing before. Yet, just as I begin to get back to work, our streets have erupted in rightful protest. Others can and have done a better job in covering the protests, so I'll leave that subject alone until I have a fully formed commentary on the matter.
If there's one thing I prefer to do, it's to stop, listen and form a thoughtful opinion and avoid emotional "hot-takes," especially silly on a subject as important as racism in America.
Coming soon from Apple is the recently announced Magic Keyboard for iPad Pro. Like before, it's a combined protective case and keyboard, but this one will have 2 dampened hinges and a secondary USB-C port for passthrough charging. The headline feature though is the inclusion of a trackpad and accompanying, underlying changes to iPadOS and the UI to accommodate the use of a pointing device for navigation. Basically, the iPad is becoming more laptop-like since the diversion from a unified iOS code base to separate iPadOS and iPhoneOS. Now the hardware will begin to reflect that change.