Adapting GFX: Contributing Data

If you'd like to contribute your findings, please include lens specifics (brand, focal length, maximum aperture, lens version, firmware version, and if it's weather sealed or stabilized), adapter used, and camera used. Full sensor sample shots without the lens hood (JPEG, 2000x1500 pixel minimum) needs to be of a white or gray background at the widest aperture at both minimum and infinity focus, repeating this at ƒ/8 and at minimum aperture, be it ƒ/22 or ƒ/32.

In Retrospect: Don’t Let Some Know-it-all Sway You From Upgrading

It's been 3 years since I've gotten back into photography and I wanted to reflect on what I've learned in that time. This is just the first of a few items I'll be touching upon. I wish I'd bought the right camera the first time. I want to address the abundance of Youtubers who often, and loudly, try to talk their viewers out of upgrading their equipment. The line often goes, "instead of upgrading your gear, thinking it will make your photos better, invest that money into education," and then they rattle off the names of affiliated Youtubers who sell online education courses on photography. Realize that this recent trend is wholly self-serving and not in your interest. There are of course those who are so affected by marketing that they believe a new camera will improve their photography but either can't see, or won't admit, that their results are from a personal, and not a technological, deficiency. However, those types are far fewer than these Youtubers would have you believe. More importantly, if you value education, I implore you to seek out a reputable photographer that teaches photographic techniques rather than some nobody whose only reputation is a trail of instagram posts. Just because they charge for their videos doesn't mean they're credible; in fact, your local camera store or public library are 2 places where free, or low cost, but highly valuable sources of education is offered on photography.

Another long break but it’s been silent progress

The biggest news was the purchase of a Fujifilm GFX 50S, GF 45mm ƒ/2.8 lens and TechArt autofocus EF-GFX lens adapter. It arrived just before Xmas and I was able to use it for parts of both latter shoots. I also gave it a couple of runs, one from Kerry Park that was foiled by fog, another from Rizal Bridge that wasn't. The increase in resolution is shocking. Shots taken from the bridge could be cropped down to 8mp and were still crystal clear. Also shocking: the size of the uncompressed RAW files at ~140MB each.

The Fujifilm X-H1 Needs a Real Reason to Exist

Like it or not, the Fujifilm X-H1 has no real reason to exist. If the X-H2 is to happen, it needs one to justify its status as the "flagship" of the X-series range Fujifilm claims it to be. When it first came out, it was $2000 for basically just a $1500 X-T2 with a bigger grip and IBIS. Sorry, but that's not gonna cut it if they plan to release an X-H2 with X-T3 guts at the end of that product's lifecycle, especially if they plan to price it above $1500 again. It needs a real reason to exist and I have an idea.

So, Why All the New Filters?

What may just look like wasting money, there’s an actual reason why I’ve bought into the Wine Country Camera filter holder system and round filters to replace the kits I had before: I’m planning to purchase a Fujifilm GFX-50S by year’s end.

Canon’s Latest Sales Figures Are Way Down But Why Are You So Confused?

Canon is trying to sell us cameras from 2016 at 2019 prices, all up and down their lineup. Their biggest advances have been made in their entry level cameras, a market mostly ignored by both first time buyers and enthusiasts. As ILC cameras have become a luxury in the age of smartphones, the impact of entry level models will continue to shrink moving forward. The future is in models that appeal to enthusiasts while Canon has dumbed down their lineup instead. They’re still banking on entry level, mass market, low cost, high volume models while the consumer has been filtered down to primarily enthusiasts. The mass market has lost their desire or need for the ILC.

New Tripod, Revisited. Leofoto LN-324C.

As promised in my previous blog post, I'm revisiting my thoughts on the Leofoto LN-324C Systematic Carbon Fiber tripod I picked up before going to Forks, WA. The trip gave me my first chance to use the tripod in a real world setting for photos I cared about. After putting the Leofoto LN-324C and LH-40 ball head through the roughest conditions I ever plan to use it in, it has stood up admirably. There are no conditions to this conclusion. It is an excellent tripod, full stop. The value oriented pricing only makes this combo that much more appealing.

That monochrome feeling.

High contrast scenes tend to work well when processed in monochrome format. I'm especially lucky since Fujifilm's film simulations are such great emulations of their popular film stocks. Their Acros simulation is especially good with high contrast, moody scenes and I've been processing more and more of my landscape shots with it. A few of the high contrast shots I took while in Forks took especially well with the Acros film simulation.

Early Tulips at Roozengaarde

After a day's break from the trip to Forks, Craig and I took advantage of a break in the rain to hit Roozengaarde in Skagit to photograph the tulips before the festival began. About half of the tulips were in bloom and the daffodils were still out, though they looked ready to wilt. Fortunately the weather and time of day seemed to keep most people away. This also gave me a chance to use my Leofoto tripod on different terrain. Again, things just happened to work out for us as the rain held off and the clouds helped give the photos a dramatic, almost ominous look that contrasts with the burst of colors below. Too bad the stiff breeze prevented any chance of getting a longer exposure, but that's fine. For tulips, it's all about the colors.

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