Like it or not, the Fujifilm X-H1 has no real reason to exist. If the X-H2 is to happen, it needs one to justify its status as the "flagship" of the X-series range Fujifilm claims it to be. When it first came out, it was $2000 for basically just a $1500 X-T2 with a bigger grip and IBIS. Sorry, but that's not gonna cut it if they plan to release an X-H2 with X-T3 guts at the end of that product's lifecycle, especially if they plan to price it above $1500 again. It needs a real reason to exist and I have an idea.
The first three were taken before the penumbra even reached the moon. The weather had just begun to clear but a few clouds still managed to cross the sky before clearing moments before the Earth's penumbra began to cast itself upon the moon's surface. The full moon's glow and reflection on the passing clouds created an eerie look that was just too good to not photograph. All three were bracketed shots but the second is an HDR stacked in Lightroom. The first and third were fully recoverable from single images at the proper exposure.
Fujifilm proudly declared they would not be going with a 35mm sensor size in the future, for one, believing that it's a bit redundant since they currently cover APS-C and cropped medium format. There are significant benefits to both formats: the former covers a Super35 area and is currently fast enough for excellent video capabilities that consumer level 35mm cameras are currently unable to match, while medium format has a level of detail and low light capability that exceeds all current 35mm format sensors.
This lens was once an excellent value from the inception of the X-Series system until now. Unfortunately due to Fujifilm's push to dominate in video, the introduction of the ƒ/2 lens, and the announcement of the 33mm ƒ/1, the 35mm ƒ/1.4 has lost all reason to exist in its current form. A complete redesign, implementing these features, could create a lens that outsells all of their other lenses by appealing to the widest range of users and without having to compromise.
I've been acquiring more and more stuff to support my photography over the past summer and, since my last flatlay photo was taken back in May, I thought I'd update the image with all of the new gear I've acquired. This is limited to just my Fujifilm bodies and glass. There's far more laying around in support of this, from bags to filters to tripods and everything else in between. At least I've hit a plateau, now owning all but 1 or 2 lenses on my list, transitioning to the acquisition of the filters and platforms I need to support my work.
So I had this vision in mind: I wanted to get a photo of the Space Needle superimposed on Mt. Rainier. Now that I have the 100-400mm ƒ/4.5-5.6 lens from Fujifilm, I'm able to get this shot... if it's even possible. I've seen others who've composited the Space Needle onto a photo of Mt. Rainier, or Mt. Baker, and even Mt. Hood (uh, wtf?) and the results always look less than stellar, mostly because I've lived here most of my life and I know those shots weren't possible using the angles they'd chosen of either object. I wanted to do this for real, all in camera, so I consulted a map and looked around Queen Anne hill and settled on Bhy Kracke Park.
I went out and bought the Fujifilm X-T3 on release day, which was September 20th. The spec sheet intrigued me because a lot of the bullet points revealed improvements that would improve my ability to shoot under less than optimal conditions, situations that can sometimes stump my X-T2. Mind you, this is not my review of the X-T3. That will come later when I've spent more time with it. As for the features relevant to me, they are as follows:
I went back and took a fresh look at some of the photos taken during my vacation in Long Beach, WA. Decided to process some of them with the Acros emulsion courtesy of Fujifilm and Lightroom. As a peek into my process, I normally shoot in the default Provia simulation but rarely use the OOC jpegs. My preference is to manually post process from a RAW file converted from the original RAF using X-Transformer. The first step in Lightroom is to add a Fujifilm emulsion, either Provia or Astia for portraits, or Provia or Velvia for landscapes. If the photo calls for it, I'll then return later and apply the Acros emulsion once all other adjustments have been completed.
I went out early on Friday morning to take photos of downtown from Kerry Park and was greeted by wildfire smoke blotting out the sunrise. All attempts to capture a golden sunrise on what was essentially a cloudless morning were thwarted, so I popped on the 50-140mm and 2x teleconverter and aimed the front element at the Space Needle. After spending nearly a year under an ugly veil while undergoing renovation, the scaffolding came off a few days ago and revealed the new, modern look. So, in spite of it all, I ended up getting some clean shots of the Space Needle's new look.