Like it or not, the Fujifilm X-H1 has no real reason to exist. If the X-H2 is to happen, it needs one to justify its status as the "flagship" of the X-series range Fujifilm claims it to be. When it first came out, it was $2000 for basically just a $1500 X-T2 with a bigger grip and IBIS. Sorry, but that's not gonna cut it if they plan to release an X-H2 with X-T3 guts at the end of that product's lifecycle, especially if they plan to price it above $1500 again. It needs a real reason to exist and I have an idea.
Went on another photowalk, this one being a bit more fruitful due to the weather conditions at the start time. Why do I do this to myself? I'm generally asocial and not very talkative, especially around people I don't know, preferring to operate alone. Despite that, it's hard to learn without someone to learn from and it's difficult to be inspired by my coffee table, so I fight my urge to run away for the sake of education and practice. Regarding the setting, while it wasn't ideal for golden hour, the cloudy skies and convergence zone did make for dramatic views and a highly textured backdrop to the humdrum scene. I hit the shutter over 40 times, but the result was less than 15 kept, fewer still that I liked and only 3-4 that I've processed to completion so far. As for the evening, I took the Doc Maynard from downtown to West Seattle, meeting up with Kate Hailey and the attendees at Marination Ma Kai at Seacrest Dock. Two hours of rambling north, and then west, from the dock to Alki Beach as the sun set in the background behind a small convergence zone. Afterward, I jumped on the ferry back to downtown.
Maybe you've heard of Fujifilm's mostly ignored software companion, X Raw Studio. It was released sometime after the X-T2 and advertised to leverage the power of their X-Processor Pro image processing engine, aka onboard CPU, to post process your photos on a desktop or laptop computer. It did this by connecting your X-Pro2, X-T2, X-H1, or X-T3 via USB 3 or USB-C's superspeed bus and would allow you to edit your RAW files on a computer but would leverage the high speed bus and X-Processor Pro's power to process the images. Since it's release, it's sat collecting dust with only minor bug fix updates since, while Fujifilm has established partnerships with brands like PhaseOne's CaptureOne and Skylum Luminar to natively support the X-Trans system. All of this seems to be the result of traditionally poor support from Adobe, the long-standing leader in the industry. But I have a vision.
As promised in my previous blog post, I'm revisiting my thoughts on the Leofoto LN-324C Systematic Carbon Fiber tripod I picked up before going to Forks, WA. The trip gave me my first chance to use the tripod in a real world setting for photos I cared about. After putting the Leofoto LN-324C and LH-40 ball head through the roughest conditions I ever plan to use it in, it has stood up admirably. There are no conditions to this conclusion. It is an excellent tripod, full stop. The value oriented pricing only makes this combo that much more appealing.
High contrast scenes tend to work well when processed in monochrome format. I'm especially lucky since Fujifilm's film simulations are such great emulations of their popular film stocks. Their Acros simulation is especially good with high contrast, moody scenes and I've been processing more and more of my landscape shots with it. A few of the high contrast shots I took while in Forks took especially well with the Acros film simulation.
After a day's break from the trip to Forks, Craig and I took advantage of a break in the rain to hit Roozengaarde in Skagit to photograph the tulips before the festival began. About half of the tulips were in bloom and the daffodils were still out, though they looked ready to wilt. Fortunately the weather and time of day seemed to keep most people away. This also gave me a chance to use my Leofoto tripod on different terrain. Again, things just happened to work out for us as the rain held off and the clouds helped give the photos a dramatic, almost ominous look that contrasts with the burst of colors below. Too bad the stiff breeze prevented any chance of getting a longer exposure, but that's fine. For tulips, it's all about the colors.
Day 2 at Second Beach. Unfortunately, this time we hit high tide and quickly discovered the beach was a lot less interesting when the tide is in. We managed to make do, despite shooting over 200 shots, again, trying to chase waves that weren't hitting the shore as intensely as they had the day before. At least having my tripod allowed me to get some long exposures as the clouds were moving on shore fast and thick.
Funny how things tend to happen in spurts. I spent the past week in Forks and Mount Vernon to get some camera work in. Craig and I went to Second Beach on the Quilayute reservation to photograph the seastacks just off shore. After a day of recovery, we went to Roozengaarde to get some early shots of the tulips before the Skagit Valley Tulip Festival. Despite the weather forecast predicting rain for the week, we were fortunate to get some breaks in the rain that were long enough to get all of the shots we had planned for, and then some.
Went to Discovery Park's West point Lighthouse to observe a confluence of events: king tide, strong wind gusts and gradual clearing of skies. The hope was to get waves crashing near the West Point Lighthouse. Unfortunately, the tide began to recede quickly and by the time the light was good, the waves could no longer reach the point. The result was a bunch of mediocre photos that I decided to use for practice in Lightroom instead. Maybe I can sell a couple of these to a church for use as flyers or book covers or something.