Like it or not, the Fujifilm X-H1 has no real reason to exist. If the X-H2 is to happen, it needs one to justify its status as the "flagship" of the X-series range Fujifilm claims it to be. When it first came out, it was $2000 for basically just a $1500 X-T2 with a bigger grip and IBIS. Sorry, but that's not gonna cut it if they plan to release an X-H2 with X-T3 guts at the end of that product's lifecycle, especially if they plan to price it above $1500 again. It needs a real reason to exist and I have an idea.
Canon is trying to sell us cameras from 2016 at 2019 prices, all up and down their lineup. Their biggest advances have been made in their entry level cameras, a market mostly ignored by both first time buyers and enthusiasts. As ILC cameras have become a luxury in the age of smartphones, the impact of entry level models will continue to shrink moving forward. The future is in models that appeal to enthusiasts while Canon has dumbed down their lineup instead. They’re still banking on entry level, mass market, low cost, high volume models while the consumer has been filtered down to primarily enthusiasts. The mass market has lost their desire or need for the ILC.
Fujifilm proudly declared they would not be going with a 35mm sensor size in the future, for one, believing that it's a bit redundant since they currently cover APS-C and cropped medium format. There are significant benefits to both formats: the former covers a Super35 area and is currently fast enough for excellent video capabilities that consumer level 35mm cameras are currently unable to match, while medium format has a level of detail and low light capability that exceeds all current 35mm format sensors.
I've been acquiring more and more stuff to support my photography over the past summer and, since my last flatlay photo was taken back in May, I thought I'd update the image with all of the new gear I've acquired. This is limited to just my Fujifilm bodies and glass. There's far more laying around in support of this, from bags to filters to tripods and everything else in between. At least I've hit a plateau, now owning all but 1 or 2 lenses on my list, transitioning to the acquisition of the filters and platforms I need to support my work.
So I had this vision in mind: I wanted to get a photo of the Space Needle superimposed on Mt. Rainier. Now that I have the 100-400mm ƒ/4.5-5.6 lens from Fujifilm, I'm able to get this shot... if it's even possible. I've seen others who've composited the Space Needle onto a photo of Mt. Rainier, or Mt. Baker, and even Mt. Hood (uh, wtf?) and the results always look less than stellar, mostly because I've lived here most of my life and I know those shots weren't possible using the angles they'd chosen of either object. I wanted to do this for real, all in camera, so I consulted a map and looked around Queen Anne hill and settled on Bhy Kracke Park.
Nikon recently released their first full frame mirrorless cameras, the Z6 and Z7, and it seems all of the professional and "professional" photographers on the internets are having a meltdown because it doesn't have, amongst other things, dual card slots. Well, news flash, Nikon didn't design these cameras for you. I know, weird, isn't it?
I went out early on Friday morning to take photos of downtown from Kerry Park and was greeted by wildfire smoke blotting out the sunrise. All attempts to capture a golden sunrise on what was essentially a cloudless morning were thwarted, so I popped on the 50-140mm and 2x teleconverter and aimed the front element at the Space Needle. After spending nearly a year under an ugly veil while undergoing renovation, the scaffolding came off a few days ago and revealed the new, modern look. So, in spite of it all, I ended up getting some clean shots of the Space Needle's new look.
About a month ago, LowePro began to ship their newly design Freeline 350 Backpack. The one thing about the Peak Design pack was the fully configurable interior using a unique shelf design instead of a series of hook and loop pads. LowePro borrowed this interior design, improving it by making the whole system removable, not only to give the backpack more versatility but to make configuring it far easier. This was the first thing I noticed.
Every year when I'm in Seattle, I do my damndest to attend Seattle Buddhist's Obon Festival and this year was no different. It's something my family has been doing for as long as I can remember and one of those cultural touchstones in my life that reminds me of who I am. This year however, I decided to give myself a shooting challenge by limiting myself only to shutter dragged shots as a way of emphasizing all of the action, movement and colors associated with Bon Odori.
There are a handful of professional YouTubers like Tony & Chelsea Northup who, despite all of the facts proving otherwise, insist on claiming that smaller sensors have less bokeh, or increased field of view, compared to “full frame” sensors. Even worse are all of the morons, both pros and amateurs, who simply regurgitate their bullshit.
The other day I received an opportunity usually reserved for working or aspiring professionals: The chance to have a guided shoot with a Fujifilm X Professional Photographer FOR FREE! Fujifilm Pro Photographer Kara Mercer hosted the event, bringing along a metric ton of lendable gear, but more importantly, a wealth of knowledge and an outgoing attitude you usually don't find between photographers in the pro photo world.
Last weekend I took a few photos of Snoqualmie Falls while staying at Salish Lodge. The weather was gray, the clouds lifeless. The photos didn't come out half bad, all things considered, but then I decided today to process a few with the Acros film emulsion. Suddenly the photos came to life.
While some of my lenses are weather sealed, most are not, and I began to fear for the worst: Lens mold. None are moldy or otherwise show any defect, but I don't want any future problems, especially if I end up swapping or selling a few of my lenses. Instead of relying on these gel packs, which are hard to recharge in the microwave due to being sealed in plastic baggies, decided to buy a sealed case from the only manufacturer of them that I fully trust: Pelican.
Short and sweet, there are 3 reasons why you should support your local camera store, even if you're a greedy, arrogant and selfish bastard: Actual products on display, instant gratification, and the added value of a local professional.
After 7 years, it was finally time to replace my mid-2011 21.5" iMac with something larger and more powerful. The transition to using Adobe Lightroom to process my photos, and the slow performance even when exporting JPEGs from the original RAW files was the driving factor toward making the purchase. It's my declining eyesight that convinced me to go with a 27" iMac over another 21.5" model, not to mention the lack of user-accessible RAM in the current 21.5" iMac.