Back in the Saddle (Again) and the Return of Pier 62

Volunteered for Kate on a photowalk to the Seattle waterfront recently. After spending the past few months doing lonely portraits to practice using strobes in 1, 2 and 3 light configurations, it felt good to go out and do some of the type of photography I'm most passionate about. So, why did I volunteer and for what? Since Seattle is still under a pandemic lockdown that limits group sizes to 5 people, I chose to help by leading a group so more people could participate via proxy groups. Pier 62 reintroduces a location and perspective that's been missing since it closed for reconstruction. While somewhat pedestrian, the addition of new attractions and changes to the skyline have given it more value when compared with similar locations, both old and new. However, like those other locations, it offers a limited perspective and thus limits its overall value, long term, as a photographic location. It's one that will become over saturated by the end of the summer as a landscape and cityscape destination, even during a time of reduced foot traffic due to the pandemic, but will easily persist as a street, tourist and especially portrait photography location for years to come. Once the new waterfront master plan is completed, Pier 62 could become one of the premium destinations for environmental portraiture and street photography, due to its prime location, identifiable backdrop and potential for high foot traffic.

Keekwulee Falls, Alpine Lakes Wilderness

My friend Craig and I have been planning to hit Keekwulee and Snowshoe Falls on the way to the Alpine Lakes Wilderness in Mt. Baker/Snoqualmie National Forest for 2 years now and it's never come to pass. However, I recently was able to hit Keekwulee Falls with my girlfriend last weekend. It would've been better with more water, say after the spring thaw or between autumn rains, but that would also make it far more difficult to reach as you have to ford the very stream the waterfall is upstream of. Despite the unimpressive flow, the granite formations were spectacular. There were also enough pikas running around and whistling to fill a Disney movie.

Multi-shot Panoramas.

Single row panoramas have always seemed to thwart me. Either the scene was never appropriate or they wouldn't stitch for one reason or another. After getting the stuff I needed to establish the nodal point on a couple of my lenses, I decided to give it another go from Kerry Park.

That monochrome feeling.

High contrast scenes tend to work well when processed in monochrome format. I'm especially lucky since Fujifilm's film simulations are such great emulations of their popular film stocks. Their Acros simulation is especially good with high contrast, moody scenes and I've been processing more and more of my landscape shots with it. A few of the high contrast shots I took while in Forks took especially well with the Acros film simulation.

The Second Day at Second Beach

Day 2 at Second Beach. Unfortunately, this time we hit high tide and quickly discovered the beach was a lot less interesting when the tide is in. We managed to make do, despite shooting over 200 shots, again, trying to chase waves that weren't hitting the shore as intensely as they had the day before. At least having my tripod allowed me to get some long exposures as the clouds were moving on shore fast and thick.

Feelin’ Monochrome

I went back and took a fresh look at some of the photos taken during my vacation in Long Beach, WA. Decided to process some of them with the Acros emulsion courtesy of Fujifilm and Lightroom. As a peek into my process, I normally shoot in the default Provia simulation but rarely use the OOC jpegs. My preference is to manually post process from a RAW file converted from the original RAF using X-Transformer. The first step in Lightroom is to add a Fujifilm emulsion, either Provia or Astia for portraits, or Provia or Velvia for landscapes. If the photo calls for it, I'll then return later and apply the Acros emulsion once all other adjustments have been completed.

Discovery Park Lighthouse at Sunset

Discovery Park is the result of the former Fort Lawton grounds being returned to the city of Seattle. On the grounds remain a few reminders of its past and one of the sites is a lighthouse on the park's northwest corner, a point at the mouth of the Lake Washington Ship Canal just south of Shilshole Bay and Golden Gardens Park. After a stop in Magnolia, we went to Discovery Park for the walk, hiking the loop and stopping at the beach and lighthouse so I could take a few photos during the sunset.

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