If you know anything about landscape photography, 99% of your planned shots usually end up as a near miss. Funny, that term "near miss," since it literally means "hit."if you "nearly missed," it means you hit it. Anyways, back on topic. I recently bought the 45-100mm lens for GFX and I usually take new lenses to Rizal Bridge to test them, as long as the focal length permits. Conditions turned out to be nearly what I've been waiting patiently for. The one shot I want from there is with the clouds traveling either northwest or southeast, preferably at a pretty good clip, since movement of the bridge due to buses and trucks traveling over it limits the length of long exposures.
This is the best image I've shot so far in the past year. I took it 2 days ago, during the winter storm we had here in Seattle, at Post Alley near the Harbor Steps. The lighting, the glow created by the falling snow, deep shadows and lots of straight, converging all came together for this long exposure. I tend to be excessively modest about my photography, but this image stood out as soon as I took it and reviewed it in my viewfinder. To me, it's just hauntingly beautiful and perfectly encapsulates the feeling I had while walking through the 6 inches of dry, powdery, freshly fallen snow at 4am. Because of Instagram's image compression, you miss out on all of the subtle nuances that exist in both the diffused light and shadows. The gradation of both color and tone, the sparkle and texture of the snow, details in the shadows... none of this is visible until you see it in full, 16-bit, ProPhoto RGB color. Because of that, I'm posting it here in full, uncompressed, 16-bit TIF format. No watermarks or BS in the way so you can see it as I do and judge it on its merits. (Warning: this is a 330MB file. Click image for full size) Enjoy!
Volunteered for Kate on a photowalk to the Seattle waterfront recently. After spending the past few months doing lonely portraits to practice using strobes in 1, 2 and 3 light configurations, it felt good to go out and do some of the type of photography I'm most passionate about. So, why did I volunteer and for what? Since Seattle is still under a pandemic lockdown that limits group sizes to 5 people, I chose to help by leading a group so more people could participate via proxy groups. Pier 62 reintroduces a location and perspective that's been missing since it closed for reconstruction. While somewhat pedestrian, the addition of new attractions and changes to the skyline have given it more value when compared with similar locations, both old and new. However, like those other locations, it offers a limited perspective and thus limits its overall value, long term, as a photographic location. It's one that will become over saturated by the end of the summer as a landscape and cityscape destination, even during a time of reduced foot traffic due to the pandemic, but will easily persist as a street, tourist and especially portrait photography location for years to come. Once the new waterfront master plan is completed, Pier 62 could become one of the premium destinations for environmental portraiture and street photography, due to its prime location, identifiable backdrop and potential for high foot traffic.
Single row panoramas have always seemed to thwart me. Either the scene was never appropriate or they wouldn't stitch for one reason or another. After getting the stuff I needed to establish the nodal point on a couple of my lenses, I decided to give it another go from Kerry Park.
Just wanted to throw up the photos I took during the Glazer's Photowalk on June 8th to support Photography Center Northwest's "Chase the Light 2019" event. The walk was organized by Kate and meandered through Capitol Hill, from the PCNW studio, to Cal Anderson Park, and back. These are just a few of the photos I took along the way. I was feeling square.
After a day's break from the trip to Forks, Craig and I took advantage of a break in the rain to hit Roozengaarde in Skagit to photograph the tulips before the festival began. About half of the tulips were in bloom and the daffodils were still out, though they looked ready to wilt. Fortunately the weather and time of day seemed to keep most people away. This also gave me a chance to use my Leofoto tripod on different terrain. Again, things just happened to work out for us as the rain held off and the clouds helped give the photos a dramatic, almost ominous look that contrasts with the burst of colors below. Too bad the stiff breeze prevented any chance of getting a longer exposure, but that's fine. For tulips, it's all about the colors.
Went to Discovery Park's West point Lighthouse to observe a confluence of events: king tide, strong wind gusts and gradual clearing of skies. The hope was to get waves crashing near the West Point Lighthouse. Unfortunately, the tide began to recede quickly and by the time the light was good, the waves could no longer reach the point. The result was a bunch of mediocre photos that I decided to use for practice in Lightroom instead. Maybe I can sell a couple of these to a church for use as flyers or book covers or something.
Cold, wet... a lot more rain fell than originally expected when I left the house. It was an absolute mess but Fujifilm proved to me how well they sealed the X-T3. Combined with the 16-55mm ƒ/2.8, the combo remained water-tight in steady wind and rain with no attempt at protection. Because of the weather, I was obviously a bit low on inspiration, but figured I'd post what I got for the sake of others who took part.
Normally in Seattle, we'll get a couple of inches of snow per winter. This winter, the snow showed up both late and in force, dropping 5 inches of snow on downtown in a single morning. This is on top of a few inches earlier in the week plus a few more inches a day later. As the snow begins to melt from slightly warmer weather bringing rain in the 24 hours since, I've managed to get a few photos processed that reflect the views around downtown in the early hours, shortly after the snowfall stopped. I walked around downtown at 4am capturing the empty city streets and landmarks between Chinatown and Pier 66. While not very significant compared to other parts of the country, and even the region, the snow was one of the largest single accumulations in recent history for downtown.
It'd been a while so I decided to attend the Glazer's Photowalk on Sunday, Jan 13th in West Seattle. The weather cooperated despite being in the bowels of winter but it was a bit TOO sunny, creating harsh shadows and contrast for the outdoor exercise. I chose to shoot with my 85mm equivalent, the 56mm ƒ/1.2, allowing me to keep some distance between me and my subjects while permitting me to fill the frame with subjects should I choose to do so. The large aperture also allowed for shallow depth of field shots. To do so, I used a 6-stop ND filter, giving me the ability to shoot with a shutter speed that prevented motion blur despite the bright, cloudless skies. It also gave me enough leeway to add blur by drilling down the aperture only a bit.
finally went out to take some photos since the Alaskan Way Viaduct is closing for good this weekend. i ended up hitting the Pier 66 Rooftop Park at sunset then moved back to the Pike Place Marketfront location above the viaduct. finally, i went through Post Alley on the way home. oddly, it was through Post Alley that inspired the shot i liked the most from the set.
So I had this vision in mind: I wanted to get a photo of the Space Needle superimposed on Mt. Rainier. Now that I have the 100-400mm ƒ/4.5-5.6 lens from Fujifilm, I'm able to get this shot... if it's even possible. I've seen others who've composited the Space Needle onto a photo of Mt. Rainier, or Mt. Baker, and even Mt. Hood (uh, wtf?) and the results always look less than stellar, mostly because I've lived here most of my life and I know those shots weren't possible using the angles they'd chosen of either object. I wanted to do this for real, all in camera, so I consulted a map and looked around Queen Anne hill and settled on Bhy Kracke Park.
I went out and bought the Fujifilm X-T3 on release day, which was September 20th. The spec sheet intrigued me because a lot of the bullet points revealed improvements that would improve my ability to shoot under less than optimal conditions, situations that can sometimes stump my X-T2. Mind you, this is not my review of the X-T3. That will come later when I've spent more time with it. As for the features relevant to me, they are as follows:
I'm going to list these 5, famously photogenic Seattle vistas with their proper names, address and an example or two from my own visits there, if I have one. Maybe you're new to town, a tourist, or even lived here a long time but could never find where a few on this list are. Mind you, this is in no way comprehensive; Seattle is full of incredible views with a skyline that's changing by the minute due to incredible economic growth. These are just the 5 most commonly seen and should be automatic for any local or tourist with a camera.
I went out early on Friday morning to take photos of downtown from Kerry Park and was greeted by wildfire smoke blotting out the sunrise. All attempts to capture a golden sunrise on what was essentially a cloudless morning were thwarted, so I popped on the 50-140mm and 2x teleconverter and aimed the front element at the Space Needle. After spending nearly a year under an ugly veil while undergoing renovation, the scaffolding came off a few days ago and revealed the new, modern look. So, in spite of it all, I ended up getting some clean shots of the Space Needle's new look.