After the trip to Forks, I realized I needed a mini tripod for those times when I forget my full or travel sized tripod. One that's small enough to carry all of the time and when height isn't all that important compared to just getting the shot. This is one of those things I'll be throwing into the bag whenever I may encounter low light, ensuring I can use whatever shutter speed I need to get proper exposure without fear of instability.
Cleaning and lubricating your tripod, no matter what material it's made of, will extend its life. The biggest point of contention seems to be over lubrication, so here's where I'm going to attempt giving a definitive answer for most tripods and ball heads.
As promised in my previous blog post, I'm revisiting my thoughts on the Leofoto LN-324C Systematic Carbon Fiber tripod I picked up before going to Forks, WA. The trip gave me my first chance to use the tripod in a real world setting for photos I cared about. After putting the Leofoto LN-324C and LH-40 ball head through the roughest conditions I ever plan to use it in, it has stood up admirably. There are no conditions to this conclusion. It is an excellent tripod, full stop. The value oriented pricing only makes this combo that much more appealing.
After a day's break from the trip to Forks, Craig and I took advantage of a break in the rain to hit Roozengaarde in Skagit to photograph the tulips before the festival began. About half of the tulips were in bloom and the daffodils were still out, though they looked ready to wilt. Fortunately the weather and time of day seemed to keep most people away. This also gave me a chance to use my Leofoto tripod on different terrain. Again, things just happened to work out for us as the rain held off and the clouds helped give the photos a dramatic, almost ominous look that contrasts with the burst of colors below. Too bad the stiff breeze prevented any chance of getting a longer exposure, but that's fine. For tulips, it's all about the colors.
Out of the box, the Leofoto LN-324C made for an intimidating presence. Fully extended, it was clearly as tall as advertised and the weight seemed about right. Looking more closely, all the details looked right. Tearing it down exposed finely machined parts all around and a carbon weave that didn't betray it's "10 layer" claim; the weave was consistent throughout with no waviness or warping of threads and no pitting or cracks in the resin. All of the aluminum bits are finely milled with no tooling marks. Parts that may have originally been cast were finely machined to remove any casting seams and cuts into it were obviously milled. The anodizing is consistent all around and all of the included optional hardware is of similar quality. No flashes, splinters or metal shavings anywhere. Metal on metal contact points showed evidence of lubrication and glided through their movements smoothly.
The first three were taken before the penumbra even reached the moon. The weather had just begun to clear but a few clouds still managed to cross the sky before clearing moments before the Earth's penumbra began to cast itself upon the moon's surface. The full moon's glow and reflection on the passing clouds created an eerie look that was just too good to not photograph. All three were bracketed shots but the second is an HDR stacked in Lightroom. The first and third were fully recoverable from single images at the proper exposure.
I've been acquiring more and more stuff to support my photography over the past summer and, since my last flatlay photo was taken back in May, I thought I'd update the image with all of the new gear I've acquired. This is limited to just my Fujifilm bodies and glass. There's far more laying around in support of this, from bags to filters to tripods and everything else in between. At least I've hit a plateau, now owning all but 1 or 2 lenses on my list, transitioning to the acquisition of the filters and platforms I need to support my work.
I went out early on Friday morning to take photos of downtown from Kerry Park and was greeted by wildfire smoke blotting out the sunrise. All attempts to capture a golden sunrise on what was essentially a cloudless morning were thwarted, so I popped on the 50-140mm and 2x teleconverter and aimed the front element at the Space Needle. After spending nearly a year under an ugly veil while undergoing renovation, the scaffolding came off a few days ago and revealed the new, modern look. So, in spite of it all, I ended up getting some clean shots of the Space Needle's new look.
So, if you read my previous gear review on the Manfrotto BeFree Compact Carbon Travel Tripod, you'll understand that I needed to replace that turd quickly. This time choosing not to ignore my better judgment, I decided to give the Benro Slim Carbon Travel Tripod (TSL08CN00) a shot. This will be the third Benro tripod I've bought with my own money and while the ProAngel didn't work out after a couple of months of use, my Adventure Series 2 Carbon has held up quite well.