Shot the Blue Angels performing on Sunday from the top of my condo building. This year, I benefitted from both the autofocus speed of the Fujifilm X-T3 and the reach of the XF 100-400mm ƒ/4.5-5.6 lens. The result was being able to actually see into the cockpits during some of the low passes around downtown. This is also without the 2x teleconverter installed, whose 2 stops of reduced light gathering would have slowed down the shutter speed to being nearly unusable.
This lens was once an excellent value from the inception of the X-Series system until now. Unfortunately due to Fujifilm's push to dominate in video, the introduction of the ƒ/2 lens, and the announcement of the 33mm ƒ/1, the 35mm ƒ/1.4 has lost all reason to exist in its current form. A complete redesign, implementing these features, could create a lens that outsells all of their other lenses by appealing to the widest range of users and without having to compromise.
I went out and bought the Fujifilm X-T3 on release day, which was September 20th. The spec sheet intrigued me because a lot of the bullet points revealed improvements that would improve my ability to shoot under less than optimal conditions, situations that can sometimes stump my X-T2. Mind you, this is not my review of the X-T3. That will come later when I've spent more time with it. As for the features relevant to me, they are as follows:
Just a quick little non-review of my first 24 hours with the v4.0 firmware for Fujifilm's X-T2.
On Sunday, I decided to give my X-T2 its first test of the ability to continuously autofocus during high speed burst shooting by attending the PAC-12 North Beach Volleyball Invitational Tournament held at Alki Beach in Seattle. As I plan on using this camera for a few airshows and motorsports events this season, specifically Seafair and motorcycle road racing, knowing what the Fujifilm X-T2 can, and can't, do while shooting 11 FPS bursts is sort of important to me. My needs are quite simple and easily achievable with a professional-grade dSLR like the Nikon D5 or D850, but based on all of the blogs reviewing the X-T2, it may not be so simple. So, I went out to find out for myself...
Beginning with a Fujifilm X-T20, a cold, wet November hike to photograph Twin Falls enlightened me to the benefits of a weather sealed camera. It was then durability surpassed convenience in priority and I bought my Graphite Silver Edition X-T2. 90 days later, I feel I’ve spent enough time with it to render a proper judgment, so here’s my own review of what I’ve experienced and ultimately learned.