Some hardware and software updates are coming soon in the near future. For software, I think I'm going to add a Smugmug account to my blog to make it far easier to sell prints online. Currently, I use Flickr to house the images for preview and depend on customers emailing me a request. That's a lot of friction. However, my only issue with Smugmug is their dependence on 3 printers whose quality is questionable and their products are mostly gimmicky crap. Since my gallery is quite small, as I'm extremely critical about the photos I'll include for sale, plus my desire to keep my print runs extremely limited (no more than 25 sold per image), I prefer to have full control of who and how does my printing, matting and framing.
I just read another article, this time from DPReview, comparing tripods and the author mentions paying attention to the load capacity so you can safely hang your bag from the hook for more stability. CUT IT OUT!!! STOP HANGING YOUR BAGS FROM YOUR TRIPOD!!!
Today will be my first opportunity for an overnighter in the mountains near Mt. Rainier. During the extended offseason, I used the opportunity to upgrade most of my camping gear to reduce mass and improve efficiency. Much of this was forced as compensation for adding the larger, heavier Fujifilm GFX medium format camera system. The result of throwing money at the problem is an overnight kit that fits completely within my Action X70 backpack while still having 15-20 liters of space left over and weighing in below 20kg. To demonstrate both the efficiency of my chosen gear and my packing skills, I made a short video of my unloading all of the camping gear from my backpack's expandable 35 liter cargo compartment.
A quick comparison between two products designed mostly to perform the same function. In case you're not familiar with an L-bracket, it's function is purely to allow rotation of your camera by 90 degrees while keeping it balanced on the X axis of your tripod. This is especially important for panoramas so the camera yaws directly over the center point rather than circumnavigating it, which alters the perspective enough to make stitching the result more difficult or even impossible.
While others have found the pandemic to be an opportunity to do more personal projects, and document them, I've found it has affected me a bit differently. My girlfriend is a neurotic RN, so I've had to respond a little differently and haven't had the free time to work on things like my journal or this blog. Now that things are starting to return to normal, I'm slowly starting to integrate all of the things I was doing before. Yet, just as I begin to get back to work, our streets have erupted in rightful protest. Others can and have done a better job in covering the protests, so I'll leave that subject alone until I have a fully formed commentary on the matter. If there's one thing I prefer to do, it's to stop, listen and form a thoughtful opinion and avoid emotional "hot-takes," especially silly on a subject as important as racism in America.
When the X-H1 was introduced, it was described as a sibling lineup; specifically an approximately 60/40, video-weighted hybrid that also shot great stills. It had a larger body and grip, not just to facilitate the IBIS system, but to give it better balance with larger cinema lenses for owners seeking a capable video camera. The X-T series was defined to be exactly the opposite ratio; a stills-centric camera that also shot great video. However, like the odd inclusion of a factory adjustable leaf spring shutter switch on the X-H1, a feature that's more coveted by stills shooters, the X-T4 has also incorporated a couple of weirdly out of place features that betrays Fujifilm's original description of the X-T series being stills-focused.
Eye-AF works pretty well with this combination. Focus is slow, but it's able to find and lock onto an eye. Because of my experience with the X-T3, sometimes my expectations can be a bit skewed; face and eye detect on the 2018 X-T3 is quite good, especially on distant (small) faces as Fujifilm has improved by leaps and bounds in this area. How quickly I forget the GFX 50S is over a year and a half older, with an imaging processor based on the X-Processor 3 design in the X-T2 and not the current X-Processor 4. Combined with other hardware limitations, plus the fact that the latest firmware update was over a year ago, eye AF on the GFX 50S (or 50R, for that matter) cannot be expected to perform anywhere near that of my X-T3.
Here's one of the first things I do when I buy a new camera: Secure the screws that secure the tripod screw port on the bottom of your camera.
Enough hyperbole. Mirrorless will not make DSLR cameras extinct the same way film remains extant despite digital. The market for DSLRs will contract significantly, likely surrendering the entry-level, systems camera market to mirrorless, but enthusiast and high-end DSLRs will continue on because you will always have its supporters who will vote with their wallets.
If you'd like to contribute your findings, please include lens specifics (brand, focal length, maximum aperture, lens version, firmware version, and if it's weather sealed or stabilized), adapter used, and camera used. Full sensor sample shots without the lens hood (JPEG, 2000x1500 pixel minimum) needs to be of a white or gray background at the widest aperture at both minimum and infinity focus, repeating this at ƒ/8 and at minimum aperture, be it ƒ/22 or ƒ/32.
As a Youtuber, credibility should be important to you if you're doing anything more than vlogging your daily experiences. Integrity is the only thing that can establish trust and credibility. So, here are my top 5 ways to establish, or protect, your credibility as a Youtuber.
It's been 3 years since I've gotten back into photography and I wanted to reflect on what I've learned in that time. This is just the first of a few items I'll be touching upon. I wish I'd bought the right camera the first time. I want to address the abundance of Youtubers who often, and loudly, try to talk their viewers out of upgrading their equipment. The line often goes, "instead of upgrading your gear, thinking it will make your photos better, invest that money into education," and then they rattle off the names of affiliated Youtubers who sell online education courses on photography. Realize that this recent trend is wholly self-serving and not in your interest. There are of course those who are so affected by marketing that they believe a new camera will improve their photography but either can't see, or won't admit, that their results are from a personal, and not a technological, deficiency. However, those types are far fewer than these Youtubers would have you believe. More importantly, if you value education, I implore you to seek out a reputable photographer that teaches photographic techniques rather than some nobody whose only reputation is a trail of instagram posts. Just because they charge for their videos doesn't mean they're credible; in fact, your local camera store or public library are 2 places where free, or low cost, but highly valuable sources of education is offered on photography.
You're familiar with how they all begin: "this video is sponsored by Squarespace." Ok, well, after that, they then feed you the next line, almost all of it verbatim, "I am not sponsored by (insert brand here). They have not paid me to do this review or told me what to say about it. This review is entirely my own and they don't know I'm making this video. I was/was not provided a sample for the purposes of this review. I am not biased in any way so you can trust what I'm about to say about this product." What they don't mention, obviously, is if they had to return that "review unit." But if you pay close attention, you may catch them using the product in later videos, especially if they were especially laudatory in their review. At least they weren't paid, right? Wrong. Payment is simply one form of compensation. That "review unit" usually comes along with an email that says, "you don't need to send this back to us." Simply put, the item itself is payment. Just because you didn't get to choose the item, the form of compensation or were given a special title associating you with their brand doesn't mean you weren't paid. They paid you with product and exclaiming otherwise is a flat out lie by Youtubers who persistently try to claim otherwise. Rarely are these items cameras and lenses; they're usually "soft goods" or accessories, like bags, lens filter kits, etc. that would likely get damaged during a thorough review period or whose cost of manufacture and/or retail price is so low that the cost of return, reconditioning and resale would consume all or more of the potential profit.
There's a certain couple on Youtube that talks a lot about photography and tends to harp on the value of education also pushes their "free" photography education courses online. You may even begin to believe some of their rhetoric or have heard some of their misinformation floating around. Mind you, much of the technical information they love to claim they're proficient in and knowledgeable about is shit. They'll contradict themselves within the span of 5 minutes. One example is their belief that "professional" lenses on a smaller sensor, like APS-C, will perform worse in sharpness because said lens isn't tuned for the sensor size, yet will then claim that some lenses on 35mm are so sharp, you get the ability to crop the image in closer than other lenses. Realize that these two things are a contradiction and a sharper lens will never give a sensor of fixed resolution higher resolution, perceived or otherwise. How do I know this? Simple physics and geometry. Let me explain:
I'm obviously not a professional photographer. Now, some may take that to mean an enthusiast has no need for a "professional level" camera, but that is entirely untrue, even on a general level. What the GFX offers is resolution. 50.1 megapixels of it. What I offer my camera is a crippled body, unable to get the most from any camera body. I can not hike as far, climb as high or go as long as an average photographer. I also cannot drive due to the medications I need to operate from day to day. Because of that, the GFX's resolution returns to me an ability lost by my inability to drive: repeatability.