I purchased my first ever creative filter: a Tiffen Black Pro Mist 1/4 for diffusion. It should soften up direct light sources and skin while holding sharpness... or at least that's what it says on the tin.
This is the best image I've shot so far in the past year. I took it 2 days ago, during the winter storm we had here in Seattle, at Post Alley near the Harbor Steps. The lighting, the glow created by the falling snow, deep shadows and lots of straight, converging all came together for this long exposure. I tend to be excessively modest about my photography, but this image stood out as soon as I took it and reviewed it in my viewfinder. To me, it's just hauntingly beautiful and perfectly encapsulates the feeling I had while walking through the 6 inches of dry, powdery, freshly fallen snow at 4am. Because of Instagram's image compression, you miss out on all of the subtle nuances that exist in both the diffused light and shadows. The gradation of both color and tone, the sparkle and texture of the snow, details in the shadows... none of this is visible until you see it in full, 16-bit, ProPhoto RGB color. Because of that, I'm posting it here in full, uncompressed, 16-bit TIF format. No watermarks or BS in the way so you can see it as I do and judge it on its merits. (Warning: this is a 330MB file. Click image for full size) Enjoy!
Volunteered for Kate on a photowalk to the Seattle waterfront recently. After spending the past few months doing lonely portraits to practice using strobes in 1, 2 and 3 light configurations, it felt good to go out and do some of the type of photography I'm most passionate about. So, why did I volunteer and for what? Since Seattle is still under a pandemic lockdown that limits group sizes to 5 people, I chose to help by leading a group so more people could participate via proxy groups. Pier 62 reintroduces a location and perspective that's been missing since it closed for reconstruction. While somewhat pedestrian, the addition of new attractions and changes to the skyline have given it more value when compared with similar locations, both old and new. However, like those other locations, it offers a limited perspective and thus limits its overall value, long term, as a photographic location. It's one that will become over saturated by the end of the summer as a landscape and cityscape destination, even during a time of reduced foot traffic due to the pandemic, but will easily persist as a street, tourist and especially portrait photography location for years to come. Once the new waterfront master plan is completed, Pier 62 could become one of the premium destinations for environmental portraiture and street photography, due to its prime location, identifiable backdrop and potential for high foot traffic.
Wisdom, experience and knowledge are similar but they are NOT the same. Knowledge is facts that are taught and learned. Experience is knowledge gained first-hand. Wisdom is experience, combined with knowledge, over time. By advising someone that "gear doesn't matter," you're trying to instill your experience and wisdom into someone else as knowledge. You believe you're saving them from the frustration and cost of experience when in fact you're robbing them of it. Even worse, it's hypocritical to advise someone to "go out and shoot," to learn through experience, but then try to rob them of that very experience when it comes to purchasing gear. You can't play the blues convincingly by observing someone else's heartaches.
This is the one and only time I will directly address the pandemic because it's such a touchy subject in the US, even though it shouldn't be. The more we transmit the COVID-19 virus, through social interaction and spreading by direct contact and shared air saturated with aerosols, the more opportunities for the virus to mutate. Eventually, there will be enough DNA mutation where the vaccines currently out are unable to simulate, and thus stimulate our immune systems, to defend against what has essentially become a new virus. Limiting the spread helps to ensure the efficacy of the current vaccine. Once we're able to stop it's spread, through a combination of pockets of herd immunity and social distancing outside those pockets, the virus is unable to use us to replicate. The hope is that we can do this before the virus has mutated beyond the effectiveness of the current vaccines.
One of the things I've said I'd never do, in the past, was self portraits. Some of this is pandemic related, but much of it is girlfriend related. She doesn't really care to move into a larger space and therefore torpedoes my every attempt to bring up the subject. Our current condo was supposed to be temporary; we've now been here for 8 years and long since outgrown it. I have no space to work.
The M1 does what Apple promised during the PowerPC transition 15 years ago but failed to deliver. What you hear coming from a millennial's face on YouTube is not hyperbole; the M1 clearly has processing power to spare since its able to translate/emulate non-optimized code at a speed where users don't even realize there's an extra computing layer in-between. In many cases, it's actually faster. Let me repeat: the M1 is running non-native code, through an emulator, faster than an Intel chip running the native code, natively, and is doing it with substantially less power consumption and with no active cooling. If a millennial is shocked at the performance of the M1 when compared side by side with an Intel equipped MacBook, they can't even imagine what I, and others my age or older, are experiencing. Our minds are completely blown. For those who aren't as tech savvy, a metaphorical example: imagine 2 people trying to read a book in Japanese. One of them can read Japanese while the other doesn't understand Japanese at all but has a device they can use to translate it for them. What's happening here, basically, is the person who needs to use a translation device is able to read the book faster than the Japanese person is able to read it directly. We witnessed first-hand this sort of wholesale transition before from the very same company. We cursed Rosetta. That was a hard shot of reality after being massaged with marketing hype, promises and a near total failure to deliver. This also came on the heels of the painful transition from Classic MacOS 9 to the Unix-based OS X, where little was offered and even that didn't work well. Once we get past the fact that we have software running in emulation at a pace that's faster than the same software being run on native hardware, we are then confronted with the fact that it's doing it cooler and more efficiently. The M1 runs harder for longer and with much less energy consumption and our imaginations are running wild at the prospect of just how much more performance we'll get once our entire workflows are coded to run natively. Even faster(?!?) and more efficiently, possibly gaining as much as 50% more battery life once Rosetta 2 is eliminated? We can't even fathom it. Hell, most of us can't even fathom what Apple has already delivered.
I finally bought it and it’s on its way. At $569, it was a hard sell, as I waited nearly a year before deciding its value overcame the price tag for me. The Fujifilm EVF-TL1 viewfinder tilt adapter for the GFX 50S and GFX 100 is attached between the removable electronic viewfinder and the camera body, allowing you to tilt the eyepiece up to 90⁰ upward to use the camera in a waist-level/chest-level viewfinder mode or pitched ±45⁰ when in portrait orientation. It gives the EVF far more versatility to be used in awkward positions where you'd normally have to resort to using the 2½-way rear LCD.
Usually the 85mm, or equivalent, lens offered on a system is one of their best lenses optically due to its popularity for portrait photography. The Fujifilm GF 110mm ƒ/2 is no different in this regard. Despite being one of Fujifilm’s first 3 lenses for the GFX system when it was released in 2017, the formula still holds up. The hype surrounding the GFX 100’s release last year also caused a resurgence in this lens’ profile and popularity. It’s reputation has reached near mythic proportions and for good reason: this is an excellently performing lens. It’s not without its flaws, but it has the right combination of flaws to give it character.
It took a fair bit longer than I’d implied but I’ve finally started on those lens reviews. If you’re new here, my reviews are really laid back and non-technical. I tend to focus more on the impact they’ll make on your photography and whether they’re worth your investment. For those outside the Fujifilm system, they’re a sampling of what you can expect from the brand.
You may have heard that Fujifilm has opened the door slightly to third-parties regarding their APS-C based X-mount. It seems they've finally given in to both unrelenting pressure from their users and the reality of being able to fully flesh out their lens lineup with more niche lenses in a timely and profitable way. One example: poor sales of the $5995 XF 200mm ƒ/2 with 1.4x Teleconverter, a specialty prime designed for sports and wildlife photographers. It seems very few people "clamoring" for that sort of lens actually put their money where their mouths are and has made Fujifilm gun shy about serving up more high performance, expensive, niche lenses. However, the result is Fujifilm opening up X-mount to approved third parties...
Stuck in both a depressive state and a creative rut, with each feeding off each other to create a negative feedback loop. The former isn’t necessarily tied to the latter, although the latter is a symptom of the former. Also affecting the situation is my stress induced psoriasis negatively impacting my desire to go out and attempt to break the cycle, further deepening my depression and lengthening this creative dry spell. My first notion was to sell everything and find a new hobby. It also doesn’t help that my penchant for landscape, nature and astrophotography are heavily impacted by my inability to drive; this reliance on others is a constant source of both anxiety and depression for me.
My real issue is the lack of an ultrawide zoom. 3 years on and Fujifilm continues to neglect all of the landscape photographers they try to market this system toward. There have been rumors of a 20-36mm ƒ/3.5-4.5 but nothing official has been announced. You’d think this would be a priority... instead we got a 50mm pancake, 30mm ƒ/3.5 and the 45-100mm ƒ/4. The latter filled a huge hole in their lineup but the other 2 seem to serve only the GFX 50R buyers. Landscape users are left in the lurch for yet another year, unrewarded for our patience and dedication.
Now is an excellent time to get into medium format digital. However, there are a few things you need to know about it. Ignorance to these facts can result in an extreme level of dissatisfaction and regret if you don’t know what you’re getting for what’s inarguably still a large chunk of change. You’ll also need to honestly evaluate what sort of photographer you are and your expectations. While all of the technological and photographic principles are the same, medium format is a whole different beast.
Some hardware and software updates are coming soon in the near future. For software, I think I'm going to add a Smugmug account to my blog to make it far easier to sell prints online. Currently, I use Flickr to house the images for preview and depend on customers emailing me a request. That's a lot of friction. However, my only issue with Smugmug is their dependence on 3 printers whose quality is questionable and their products are mostly gimmicky crap. Since my gallery is quite small, as I'm extremely critical about the photos I'll include for sale, plus my desire to keep my print runs extremely limited (no more than 25 sold per image), I prefer to have full control of who and how does my printing, matting and framing.