Nobody Makes the Perfect Bag, Part 2 (Shimoda Designs + Peak Design)

As I've made clear in a previous post, nobody makes the perfect bag. It's a fools errand because "perfect" is subjective and what works for one is completely inadequate for another. However, the more modular a bag is, the better chance for it to become all things to all people by allowing all people to adorn it with all things to meet their needs. Looking further into this idea, especially since Peak Design's recent release of a fully redesigned bag lineup dubbed "v2," I've realized Peak Design is great at making accessories that meet the needs of most people but wrap it all up in bags that don't. Take their 45L Travel Backpack... it converts into a duffel with a forward facing, wide-mouth, zip opening. It's really not great for anything but a duffel bag that turns into a half-assed backpack for longer distance carry, especially for outdoors. However, for camera carry within, they've created camera cubes with efficient padding, mindful access port placement, an abundance of attachment points and durable exterior skin sufficient enough to be used on its own. A quick check of the external dimensions gave me an idea as the camera cube is nearly spot on with the dimensions of Shimoda Designs' large Integrated Camera Unit (ICU) for Explore and Action X backpacks.

Why I Bought a Fujifilm GFX

I'm obviously not a professional photographer. Now, some may take that to mean an enthusiast has no need for a "professional level" camera, but that is entirely untrue, even on a general level. What the GFX offers is resolution. 50.1 megapixels of it. What I offer my camera is a crippled body, unable to get the most from any camera body. I can not hike as far, climb as high or go as long as an average photographer. I also cannot drive due to the medications I need to operate from day to day. Because of that, the GFX's resolution returns to me an ability lost by my inability to drive: repeatability.

Prepping to hit the road again.

Jay (IG @JasonTanakaPhotography) and I are gearing up to hit La Push, WA, near the Quillayute Tribal lands on the Pacific coast of the state. I've been there twice before, the most recent being last winter with Craig (IG @SomeWAWino). This will be another overnight trip but with a twist: we're gonna camp on the beach in hopes of getting some astrophotography in after some sunset shots.

This always happens to me: Shimoda Design Action X70

So, 2 full months after I bought my Shimoda Design Explore 40 backpack, they opened a Kickstarter for a new line of packs. Called the Action X series, they're basically a collection of improvements, many of which were universally requested by owners, including myself.

Sorry I haven’t been posting regularly

I've been really busy lately, traveling up and down western Washington State, hiking and photographing both beaten and unbeaten paths. It began by trying to take advantage of a streak of good weather and morphed into chasing the autumn colors as the weather got colder. Hikes include: Alpine Lake Wilderness, Denny Creek, Mount Fremont Lookout, Annette Lake, Lake Twentytwo and Artist Point. All of these on consecutive weekends, and even some weekdays, over the past 3 weeks. And in that time I think I've posted just once. Maybe twice. So, here are 3 photos from the past week.

My first real, composite photograph

Today, despite watching others do this for years, I've finally started using it for its intended purpose: modifying photographs to create images that don't exist in real life. I guess you can infer by my tone that I'm not a huge fan of photo manipulation, and you'd be correct. There's a fine line between photography and art and I feel wholesale manipulation of the image to create something that cannot be captured in whole, within the camera, as dishonest. However, I draw that line at profitability. If you're profiting from a reputation as a photographer while creating digital art and misrepresenting it as a photograph, I take issue with that. If you're creating art for the sake of it and representing it as such, for profit or not, I have no problem. The gray area is of course the line between reality and art. What I did, while photorealistic, is what I would classify as art because you couldn't recreate my result in a single photograph.

How To: Equip Your Gitzo Series 1 Mountaineer 4 Section Tripod Removable Feet

If you didn't already know, the Gitzo Mountaineer Series 0 and 1 Tripods come with fixed rubber feet. I can't speak for the 3 section versions, but generally the Mountaineer Series 2 and up come with 3/8"-16 threaded interchangeable feet, while those below have permanently affixed rubber feet. So I decided to buy a final leg section and foot for the GT1545T Traveler, already knowing it shared the 14.7mm leg diameter with my GT1542 Mountaineer but comes with a threaded cap to support 1/4”-20 interchangeable feet. The part number for the leg section is D106023 and the foot is D108623.

Multi-shot Panoramas.

Single row panoramas have always seemed to thwart me. Either the scene was never appropriate or they wouldn't stitch for one reason or another. After getting the stuff I needed to establish the nodal point on a couple of my lenses, I decided to give it another go from Kerry Park.

My Theory to Selecting the Best Tripod for Your Needs

First, and most importantly, know what genres of photography you enjoy the most and if that genre requires a tripod. Then, buy the largest, highest quality tripod you're willing to carry that fits in your budget. Specifically in that order; do not put budget ahead of any other aspect of the tripod. If you go too cheap, you may very well end up with a tripod that meets none of your needs when you're forced to replace it due to instability or fragility. The adage, "buy cheap, buy twice (or more)" applies here.

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