I know I said previously I would be following up my first look with my new Wine Country Camera (WCC) filters with a full review of their performance and it's already been a while since I said that. The reason I've been stalling is because I've ordered a set of WCC Blackstone ND filters for my Formatt-Hitech Firecrest 100mm holder and I now plan to compare the round set to the square set for any difference in performance. So, uh, stay tuned?
Out of the box, the Leofoto LN-324C made for an intimidating presence. Fully extended, it was clearly as tall as advertised and the weight seemed about right. Looking more closely, all the details looked right. Tearing it down exposed finely machined parts all around and a carbon weave that didn't betray it's "10 layer" claim; the weave was consistent throughout with no waviness or warping of threads and no pitting or cracks in the resin. All of the aluminum bits are finely milled with no tooling marks. Parts that may have originally been cast were finely machined to remove any casting seams and cuts into it were obviously milled. The anodizing is consistent all around and all of the included optional hardware is of similar quality. No flashes, splinters or metal shavings anywhere. Metal on metal contact points showed evidence of lubrication and glided through their movements smoothly.
Fujifilm proudly declared they would not be going with a 35mm sensor size in the future, for one, believing that it's a bit redundant since they currently cover APS-C and cropped medium format. There are significant benefits to both formats: the former covers a Super35 area and is currently fast enough for excellent video capabilities that consumer level 35mm cameras are currently unable to match, while medium format has a level of detail and low light capability that exceeds all current 35mm format sensors.
This lens was once an excellent value from the inception of the X-Series system until now. Unfortunately due to Fujifilm's push to dominate in video, the introduction of the ƒ/2 lens, and the announcement of the 33mm ƒ/1, the 35mm ƒ/1.4 has lost all reason to exist in its current form. A complete redesign, implementing these features, could create a lens that outsells all of their other lenses by appealing to the widest range of users and without having to compromise.
I've been acquiring more and more stuff to support my photography over the past summer and, since my last flatlay photo was taken back in May, I thought I'd update the image with all of the new gear I've acquired. This is limited to just my Fujifilm bodies and glass. There's far more laying around in support of this, from bags to filters to tripods and everything else in between. At least I've hit a plateau, now owning all but 1 or 2 lenses on my list, transitioning to the acquisition of the filters and platforms I need to support my work.
I went out and bought the Fujifilm X-T3 on release day, which was September 20th. The spec sheet intrigued me because a lot of the bullet points revealed improvements that would improve my ability to shoot under less than optimal conditions, situations that can sometimes stump my X-T2. Mind you, this is not my review of the X-T3. That will come later when I've spent more time with it. As for the features relevant to me, they are as follows:
Just a quick little non-review of my first 24 hours with the v4.0 firmware for Fujifilm's X-T2.
It's on like Donkey Kong! On the way out this morning to Wallace Falls for a shoot and the news shows up on my twitter feed. I know I shouldn't mess with the firmware at this hour right before a shoot, but the excitement over the list of improvements got to me. Autofocus improvements, especially the increase in sensitivity down to -1EV is exciting...