About my look, or photographic post processing style… It’s changed over the years, from a more documentarian style where I’d simply correct colors to taste and crop when needed, to my current dark aesthetic. It really developed from a combination of my camera history, my life experiences and finally letting my honest self be reflected. Let me explain each of those 3 elements and then bring it all back together.
Gonna make this quick... I finally had a chance to take the Fujifilm GF 80mm ƒ/1.7R WR lens for GFX out on a photowalk to peer thru it from an urban landscape and street photography perspective. Let's say I'm a little more than impressed.
There's something about this lens that gives everything a 3 dimensional quality. The subject just pops right off the page. Sure, that's what large bore portrait lenses do but there's something special about this lens, a quality my GF 110mm ƒ/2 lacks. Even compared to the Sigma Art 85mm ƒ/1.4 I previously owned and adapted onto the GFX 50S, the GF 80mm exceeds it in lifting the subject out of the frame.
If you know anything about landscape photography, 99% of your planned shots usually end up as a near miss. Funny, that term "near miss," since it literally means "hit."if you "nearly missed," it means you hit it.
Anyways, back on topic. I recently bought the 45-100mm lens for GFX and I usually take new lenses to Rizal Bridge to test them, as long as the focal length permits. Conditions turned out to be nearly what I've been waiting patiently for. The one shot I want from there is with the clouds traveling either northwest or southeast, preferably at a pretty good clip, since movement of the bridge due to buses and trucks traveling over it limits the length of long exposures.
I purchased my first ever creative filter: a Tiffen Black Pro Mist 1/4 for diffusion. It should soften up direct light sources and skin while holding sharpness... or at least that's what it says on the tin.
This is the best image I've shot so far in the past year. I took it 2 days ago, during the winter storm we had here in Seattle, at Post Alley near the Harbor Steps. The lighting, the glow created by the falling snow, deep shadows and lots of straight, converging all came together for this long exposure. I tend to be excessively modest about my photography, but this image stood out as soon as I took it and reviewed it in my viewfinder.
To me, it's just hauntingly beautiful and perfectly encapsulates the feeling I had while walking through the 6 inches of dry, powdery, freshly fallen snow at 4am.
Because of Instagram's image compression, you miss out on all of the subtle nuances that exist in both the diffused light and shadows. The gradation of both color and tone, the sparkle and texture of the snow, details in the shadows... none of this is visible until you see it in full, 16-bit, ProPhoto RGB color. Because of that, I'm posting it here in full, uncompressed, 16-bit TIF format. No watermarks or BS in the way so you can see it as I do and judge it on its merits. (Warning: this is a 330MB file. Click image for full size)
Volunteered for Kate on a photowalk to the Seattle waterfront recently. After spending the past few months doing lonely portraits to practice using strobes in 1, 2 and 3 light configurations, it felt good to go out and do some of the type of photography I'm most passionate about.
So, why did I volunteer and for what? Since Seattle is still under a pandemic lockdown that limits group sizes to 5 people, I chose to help by leading a group so more people could participate via proxy groups.
Pier 62 reintroduces a location and perspective that's been missing since it closed for reconstruction. While somewhat pedestrian, the addition of new attractions and changes to the skyline have given it more value when compared with similar locations, both old and new. However, like those other locations, it offers a limited perspective and thus limits its overall value, long term, as a photographic location. It's one that will become over saturated by the end of the summer as a landscape and cityscape destination, even during a time of reduced foot traffic due to the pandemic, but will easily persist as a street, tourist and especially portrait photography location for years to come. Once the new waterfront master plan is completed, Pier 62 could become one of the premium destinations for environmental portraiture and street photography, due to its prime location, identifiable backdrop and potential for high foot traffic.
Single row panoramas have always seemed to thwart me. Either the scene was never appropriate or they wouldn't stitch for one reason or another. After getting the stuff I needed to establish the nodal point on a couple of my lenses, I decided to give it another go from Kerry Park.
Normally in Seattle, we'll get a couple of inches of snow per winter. This winter, the snow showed up both late and in force, dropping 5 inches of snow on downtown in a single morning. This is on top of a few inches earlier in the week plus a few more inches a day later. As the snow begins to melt from slightly warmer weather bringing rain in the 24 hours since, I've managed to get a few photos processed that reflect the views around downtown in the early hours, shortly after the snowfall stopped.
I walked around downtown at 4am capturing the empty city streets and landmarks between Chinatown and Pier 66. While not very significant compared to other parts of the country, and even the region, the snow was one of the largest single accumulations in recent history for downtown.
finally went out to take some photos since the Alaskan Way Viaduct is closing for good this weekend. i ended up hitting the Pier 66 Rooftop Park at sunset then moved back to the Pike Place Marketfront location above the viaduct. finally, i went through Post Alley on the way home. oddly, it was through Post Alley that inspired the shot i liked the most from the set.
So I've revisited a few photos from the past year and applied what I've learned in Lightroom since then. The hope was to take what I felt were good photos and try to make them better, possibly even worth printing, since I liked the views.
The same location yet never the same. Kerry and Rizal Parks are probably the perspectives most photographed of Seattle, and while everyone has seen them, no two days are the same.
The weather today was gray. At least there was enough texture and movement to create an interesting photo, so I went to Myrtle Edwards Park to get some water shots. My route took me through the Olympic Sculpture Park, so I took a few photos there, too. Ultimately, this was an exercise in composition. It's... Continue Reading →
Caught this view while setting up to shoot at Volunteer Park. A beautiful crescent moon rising as the sun's light peeks above the horizon.
I've decided, based on some of my recent photos, to continue shooting from the most played out locations around Seattle. My original goal when I bought this camera was to find locations that local "photographers" haven't already oversaturated on social media, or to photograph those views in ways others haven't yet done, or can't, with... Continue Reading →