When the X-H1 was introduced, it was described as a sibling lineup; specifically an approximately 60/40, video-weighted hybrid that also shot great stills. It had a larger body and grip, not just to facilitate the IBIS system, but to give it better balance with larger cinema lenses for owners seeking a capable video camera. The X-T series was defined to be exactly the opposite ratio; a stills-centric camera that also shot great video. However, like the odd inclusion of a factory adjustable leaf spring shutter switch on the X-H1, a feature that's more coveted by stills shooters, the X-T4 has also incorporated a couple of weirdly out of place features that betrays Fujifilm's original description of the X-T series being stills-focused.
I'm obviously not a professional photographer. Now, some may take that to mean an enthusiast has no need for a "professional level" camera, but that is entirely untrue, even on a general level. What the GFX offers is resolution. 50.1 megapixels of it. What I offer my camera is a crippled body, unable to get the most from any camera body. I can not hike as far, climb as high or go as long as an average photographer. I also cannot drive due to the medications I need to operate from day to day. Because of that, the GFX's resolution returns to me an ability lost by my inability to drive: repeatability.
Known for shit weather, the Washington coastline can be a bit of a toss up when it comes to photos, but even when the weather isn't particularly good for beach going, it can still be great for photos. During the summer, weekly events draw in thousands from around the state, so there are opportunities for all types of photographers; from landscapists, astrophotographers, street photography and even instagrammers, it's all there.
Normally in Seattle, we'll get a couple of inches of snow per winter. This winter, the snow showed up both late and in force, dropping 5 inches of snow on downtown in a single morning. This is on top of a few inches earlier in the week plus a few more inches a day later. As the snow begins to melt from slightly warmer weather bringing rain in the 24 hours since, I've managed to get a few photos processed that reflect the views around downtown in the early hours, shortly after the snowfall stopped.
I walked around downtown at 4am capturing the empty city streets and landmarks between Chinatown and Pier 66. While not very significant compared to other parts of the country, and even the region, the snow was one of the largest single accumulations in recent history for downtown.
The first three were taken before the penumbra even reached the moon. The weather had just begun to clear but a few clouds still managed to cross the sky before clearing moments before the Earth's penumbra began to cast itself upon the moon's surface. The full moon's glow and reflection on the passing clouds created an eerie look that was just too good to not photograph. All three were bracketed shots but the second is an HDR stacked in Lightroom. The first and third were fully recoverable from single images at the proper exposure.
finally went out to take some photos since the Alaskan Way Viaduct is closing for good this weekend. i ended up hitting the Pier 66 Rooftop Park at sunset then moved back to the Pike Place Marketfront location above the viaduct. finally, i went through Post Alley on the way home. oddly, it was through Post Alley that inspired the shot i liked the most from the set.
Fujifilm proudly declared they would not be going with a 35mm sensor size in the future, for one, believing that it's a bit redundant since they currently cover APS-C and cropped medium format. There are significant benefits to both formats: the former covers a Super35 area and is currently fast enough for excellent video capabilities that consumer level 35mm cameras are currently unable to match, while medium format has a level of detail and low light capability that exceeds all current 35mm format sensors.
I've been acquiring more and more stuff to support my photography over the past summer and, since my last flatlay photo was taken back in May, I thought I'd update the image with all of the new gear I've acquired. This is limited to just my Fujifilm bodies and glass. There's far more laying around in support of this, from bags to filters to tripods and everything else in between. At least I've hit a plateau, now owning all but 1 or 2 lenses on my list, transitioning to the acquisition of the filters and platforms I need to support my work.
Last weekend I took a few photos of Snoqualmie Falls while staying at Salish Lodge. The weather was gray, the clouds lifeless. The photos didn't come out half bad, all things considered, but then I decided today to process a few with the Acros film emulsion.
Suddenly the photos came to life.
Went with Craig to Wallace Falls State Park near Gold Bar, WA to shoot the falls and get some hiking in. The weather was a bit uncooperative, ending up sunnier than we were expecting. The forecast called for overcast skies by noon but, despite the gathering of some clouds, it didn't manage to block out the sun much...
Just a quick little non-review of my first 24 hours with the v4.0 firmware for Fujifilm's X-T2.
The question, "why don't the photos on my (insert model) camera show up in X RAW Studio?" has popped up far too frequently but wrong answers have been popping up even more. The X-T20's firmware was updated recently, bestowing upon it compatibility with X RAW Studio, leading to a surge in people downloading the firmware but not downloading the updated user manual linked directly below it. So now they seek people to give them the answer to their boggle in exchange for minimal effort expended, their keyboards lacking a button to activate any "search feature." The most popular response has been, "you must transfer the RAW files from your camera to a folder on your computer first."