A quick comparison between two products designed mostly to perform the same function. In case you're not familiar with an L-bracket, it's function is purely to allow rotation of your camera by 90 degrees while keeping it balanced on the X axis of your tripod. This is especially important for panoramas so the camera yaws directly over the center point rather than circumnavigating it, which alters the perspective enough to make stitching the result more difficult or even impossible.
As you may know, Fujifilm offers an AC adapter for the GFX series and it's priced at a whopping $97. However, there's another option for AC wall charging as long as you know the power specs. A more versatile option is a power bank with pass through charging. You can power the GFX with the battery pack in the field while simultaneously charging the installed battery. When you’re near an outlet, you can also connect the power bank to AC power and continuously power the camera without depleting the power bank itself. By functioning as an AC wall adapter you won't need to buy a wall adapter specifically for the GFX while having all the benefits of a portable battery pack.
Added a quick link to the header menu as well as sidebar widgets to access the categories menu. That should make accessing posts related to the lens database easier. You may also use the direct address here: https://jetcityninja.com/category/adapting-gfx/
I suffer from PTSD related depression that often fears its head during points of boredom. As such, I try to keep myself as busy as possible. It doesn't have to be physical activity, but anything that keeps my mind busy. That means winter can be when I'm at my darkest due to the weather, as my mobility is shunted due to physical disability and limited opportunity to do the things I love most. It's rained just about every weekend since December, and the 1 or 2 dry weekends were tarnished with a week's worth of rain or snow. Unless there's a specific need, I'd prefer to not camp in the rain or snow. After seeing Jay's macro product shots, I decided to do some floral macros, since I have an arrangement of gerber daisies that's survived since Valentine's Day. I didn't break out any lighting, shooting at ISO 4000-6400 and 1/100s shutter speed with a Sigma 50mm ƒ/1.4 DG Art on the GFX 50S. Figured I'd try and adapt my muscle memory for a focusing ring that rotates opposite of all other brands. Anyways, I really need to get outdoors. Hopefully the weather this weekend works out.
Despite white wall tests of the Canon EF 28mm and 135mm lenses showing acceptable levels of vignetting, my first real world use of them ended in failure.
Eye-AF works pretty well with this combination. Focus is slow, but it's able to find and lock onto an eye. Because of my experience with the X-T3, sometimes my expectations can be a bit skewed; face and eye detect on the 2018 X-T3 is quite good, especially on distant (small) faces as Fujifilm has improved by leaps and bounds in this area. How quickly I forget the GFX 50S is over a year and a half older, with an imaging processor based on the X-Processor 3 design in the X-T2 and not the current X-Processor 4. Combined with other hardware limitations, plus the fact that the latest firmware update was over a year ago, eye AF on the GFX 50S (or 50R, for that matter) cannot be expected to perform anywhere near that of my X-T3.
There are some drawbacks though. Uncannily enough, they’re the same as with the Canon EF 28mm ƒ/1.8 USM: slight vignette with a hard vignette at infinity focus. At ƒ/8, it isn’t very prevalent as you’ll see in the samples, easily corrected with a 5:4 crop that retains 48MP. However, as the aperture gets smaller, the vignette hardens, as you can see at ƒ/32, but still works at a 5:4 crop ratio. The lens works fine with a 3:2 crop at full sensor width and in 35mm crop mode, so you can choose what works best for you. Weirdly, the lens changes focus as you move in and out of playback mode on the GFX...
One thing I quickly discovered is the intrusion of the lens hood when adapting 35mm lenses onto the medium format GFX. Since the 50mm Sigma casts an image circle closer to 40mm, it's going to pick up more of what's on the periphery of the field of view; in this case it's the lens hood.... Continue Reading →
If you'd like to contribute your findings, please include lens specifics (brand, focal length, maximum aperture, lens version, firmware version, and if it's weather sealed or stabilized), adapter used, and camera used. Full sensor sample shots without the lens hood (JPEG, 2000x1500 pixel minimum) needs to be of a white or gray background at the widest aperture at both minimum and infinity focus, repeating this at ƒ/8 and at minimum aperture, be it ƒ/22 or ƒ/32.