Single row panoramas have always seemed to thwart me. Either the scene was never appropriate or they wouldn't stitch for one reason or another. After getting the stuff I needed to establish the nodal point on a couple of my lenses, I decided to give it another go from Kerry Park.
Just a few photos of the local deer on our last morning in Long Beach. They came by for breakfast, the doe bringing her two fawns, approaching our balcony as if she’d remembered that I was out feeding them apples the night before. They sat patiently below our balcony as we dropped bananas and apples for them, posing for photos before moving on to the next set of condos. These deer definitely have us trained well.
Known for shit weather, the Washington coastline can be a bit of a toss up when it comes to photos, but even when the weather isn't particularly good for beach going, it can still be great for photos. During the summer, weekly events draw in thousands from around the state, so there are opportunities for all types of photographers; from landscapists, astrophotographers, street photography and even instagrammers, it's all there.
Day 2 at Second Beach. Unfortunately, this time we hit high tide and quickly discovered the beach was a lot less interesting when the tide is in. We managed to make do, despite shooting over 200 shots, again, trying to chase waves that weren't hitting the shore as intensely as they had the day before. At least having my tripod allowed me to get some long exposures as the clouds were moving on shore fast and thick.
Funny how things tend to happen in spurts. I spent the past week in Forks and Mount Vernon to get some camera work in. Craig and I went to Second Beach on the Quilayute reservation to photograph the seastacks just off shore. After a day of recovery, we went to Roozengaarde to get some early shots of the tulips before the Skagit Valley Tulip Festival. Despite the weather forecast predicting rain for the week, we were fortunate to get some breaks in the rain that were long enough to get all of the shots we had planned for, and then some.
Out of the box, the Leofoto LN-324C made for an intimidating presence. Fully extended, it was clearly as tall as advertised and the weight seemed about right. Looking more closely, all the details looked right. Tearing it down exposed finely machined parts all around and a carbon weave that didn't betray it's "10 layer" claim; the weave was consistent throughout with no waviness or warping of threads and no pitting or cracks in the resin. All of the aluminum bits are finely milled with no tooling marks. Parts that may have originally been cast were finely machined to remove any casting seams and cuts into it were obviously milled. The anodizing is consistent all around and all of the included optional hardware is of similar quality. No flashes, splinters or metal shavings anywhere. Metal on metal contact points showed evidence of lubrication and glided through their movements smoothly.
Went to Discovery Park's West point Lighthouse to observe a confluence of events: king tide, strong wind gusts and gradual clearing of skies. The hope was to get waves crashing near the West Point Lighthouse. Unfortunately, the tide began to recede quickly and by the time the light was good, the waves could no longer reach the point. The result was a bunch of mediocre photos that I decided to use for practice in Lightroom instead.
Maybe I can sell a couple of these to a church for use as flyers or book covers or something.
So I've revisited a few photos from the past year and applied what I've learned in Lightroom since then. The hope was to take what I felt were good photos and try to make them better, possibly even worth printing, since I liked the views.
I've been acquiring more and more stuff to support my photography over the past summer and, since my last flatlay photo was taken back in May, I thought I'd update the image with all of the new gear I've acquired. This is limited to just my Fujifilm bodies and glass. There's far more laying around in support of this, from bags to filters to tripods and everything else in between. At least I've hit a plateau, now owning all but 1 or 2 lenses on my list, transitioning to the acquisition of the filters and platforms I need to support my work.