Comparison: RRS L-Bracket vs 3 Legged Thing Ellie for Fujifilm GFX 50S

A quick comparison between two products designed mostly to perform the same function. In case you're not familiar with an L-bracket, it's function is purely to allow rotation of your camera by 90 degrees while keeping it balanced on the X axis of your tripod. This is especially important for panoramas so the camera yaws directly over the center point rather than circumnavigating it, which alters the perspective enough to make stitching the result more difficult or even impossible.

I Want to Be An Advocate, Not An Influencer

While I often strayed away from repeatable testing to include a healthy amount of subjectivity, I'm now embracing my biases and forgoing all pretense of being "unbiased," and here's why: I have my skin, aka wallet, in the game. Unlike others who are receiving review units, renting, being gifted items to review or receiving some form of compensation, I'm reviewing stuff that I've actually bought. These are things I've intensely researched, bought, used, and intend to keep. Sometimes I buy purely out of objective needs, like my ND filters. Other times, I'm driven by subjective factors, like my choice to use Fujifilm bodies and lenses. Either way, my purchases are made based on a conclusion I've formed from equal parts objectivity and bias. I am biased. My reviews are biased. I'm not justifying my purchases to anyone but I simply cannot claim to be unbiased when reviewing my own gear. The goal of my reviews are to identify potential pitfalls to avoid the expense of experimentation. It's not my goal to tell you what to buy; my desire is to expose aspects of an item only an owner would notice. There can be things that you're blind to upon purchase, features and issues that can make or break it for you, and this jeopardy goes up exponentially as the price increases, especially if bought used. This is my choice to be an advocate and to avoid being an "influencer."

The Pandemic Has Kept Me Quiet

While others have found the pandemic to be an opportunity to do more personal projects, and document them, I've found it has affected me a bit differently. My girlfriend is a neurotic RN, so I've had to respond a little differently and haven't had the free time to work on things like my journal or this blog. Now that things are starting to return to normal, I'm slowly starting to integrate all of the things I was doing before. Yet, just as I begin to get back to work, our streets have erupted in rightful protest. Others can and have done a better job in covering the protests, so I'll leave that subject alone until I have a fully formed commentary on the matter. If there's one thing I prefer to do, it's to stop, listen and form a thoughtful opinion and avoid emotional "hot-takes," especially silly on a subject as important as racism in America.

Fujifilm X-T4: A Confused Camera

When the X-H1 was introduced, it was described as a sibling lineup; specifically an approximately 60/40, video-weighted hybrid that also shot great stills. It had a larger body and grip, not just to facilitate the IBIS system, but to give it better balance with larger cinema lenses for owners seeking a capable video camera. The X-T series was defined to be exactly the opposite ratio; a stills-centric camera that also shot great video. However, like the odd inclusion of a factory adjustable leaf spring shutter switch on the X-H1, a feature that's more coveted by stills shooters, the X-T4 has also incorporated a couple of weirdly out of place features that betrays Fujifilm's original description of the X-T series being stills-focused.

DSLRs Won’t Die. Deal With It

Enough hyperbole. Mirrorless will not make DSLR cameras extinct the same way film remains extant despite digital. The market for DSLRs will contract significantly, likely surrendering the entry-level, systems camera market to mirrorless, but enthusiast and high-end DSLRs will continue on because you will always have its supporters who will vote with their wallets.

In Retrospect: Don’t Let Some Know-it-all Sway You From Upgrading

It's been 3 years since I've gotten back into photography and I wanted to reflect on what I've learned in that time. This is just the first of a few items I'll be touching upon. I wish I'd bought the right camera the first time. I want to address the abundance of Youtubers who often, and loudly, try to talk their viewers out of upgrading their equipment. The line often goes, "instead of upgrading your gear, thinking it will make your photos better, invest that money into education," and then they rattle off the names of affiliated Youtubers who sell online education courses on photography. Realize that this recent trend is wholly self-serving and not in your interest. There are of course those who are so affected by marketing that they believe a new camera will improve their photography but either can't see, or won't admit, that their results are from a personal, and not a technological, deficiency. However, those types are far fewer than these Youtubers would have you believe. More importantly, if you value education, I implore you to seek out a reputable photographer that teaches photographic techniques rather than some nobody whose only reputation is a trail of instagram posts. Just because they charge for their videos doesn't mean they're credible; in fact, your local camera store or public library are 2 places where free, or low cost, but highly valuable sources of education is offered on photography.

Gear Reviews On Youtube: “Sponsorships,” Brand Awareness and How Not All Payments Are in Cash and They All Lie to You About It

You're familiar with how they all begin: "this video is sponsored by Squarespace." Ok, well, after that, they then feed you the next line, almost all of it verbatim, "I am not sponsored by (insert brand here). They have not paid me to do this review or told me what to say about it. This review is entirely my own and they don't know I'm making this video. I was/was not provided a sample for the purposes of this review. I am not biased in any way so you can trust what I'm about to say about this product." What they don't mention, obviously, is if they had to return that "review unit." But if you pay close attention, you may catch them using the product in later videos, especially if they were especially laudatory in their review. At least they weren't paid, right? Wrong. Payment is simply one form of compensation. That "review unit" usually comes along with an email that says, "you don't need to send this back to us." Simply put, the item itself is payment. Just because you didn't get to choose the item, the form of compensation or were given a special title associating you with their brand doesn't mean you weren't paid. They paid you with product and exclaiming otherwise is a flat out lie by Youtubers who persistently try to claim otherwise. Rarely are these items cameras and lenses; they're usually "soft goods" or accessories, like bags, lens filter kits, etc. that would likely get damaged during a thorough review period or whose cost of manufacture and/or retail price is so low that the cost of return, reconditioning and resale would consume all or more of the potential profit.

Nobody Makes the Perfect Bag, Part 2 (Shimoda Designs + Peak Design)

As I've made clear in a previous post, nobody makes the perfect bag. It's a fools errand because "perfect" is subjective and what works for one is completely inadequate for another. However, the more modular a bag is, the better chance for it to become all things to all people by allowing all people to adorn it with all things to meet their needs. Looking further into this idea, especially since Peak Design's recent release of a fully redesigned bag lineup dubbed "v2," I've realized Peak Design is great at making accessories that meet the needs of most people but wrap it all up in bags that don't. Take their 45L Travel Backpack... it converts into a duffel with a forward facing, wide-mouth, zip opening. It's really not great for anything but a duffel bag that turns into a half-assed backpack for longer distance carry, especially for outdoors. However, for camera carry within, they've created camera cubes with efficient padding, mindful access port placement, an abundance of attachment points and durable exterior skin sufficient enough to be used on its own. A quick check of the external dimensions gave me an idea as the camera cube is nearly spot on with the dimensions of Shimoda Designs' large Integrated Camera Unit (ICU) for Explore and Action X backpacks.

Why I Bought a Fujifilm GFX

I'm obviously not a professional photographer. Now, some may take that to mean an enthusiast has no need for a "professional level" camera, but that is entirely untrue, even on a general level. What the GFX offers is resolution. 50.1 megapixels of it. What I offer my camera is a crippled body, unable to get the most from any camera body. I can not hike as far, climb as high or go as long as an average photographer. I also cannot drive due to the medications I need to operate from day to day. Because of that, the GFX's resolution returns to me an ability lost by my inability to drive: repeatability.

Quick Take: Shimoda Designs Action X70 Camera Backpack

Usually, Kickstarter is a collection of scams and bad ideas for internet virgins to be separated from their money. Sometimes, if you know what you're doing, it's a source for good deals. In this case, Shimoda Designs has established itself as a reliable maker of durable, action oriented camera backpacks. Shimoda decided to use Kickstarter as a "group buy" for their new line of Action X backpacks and mine managed to arrive just after Xmas.

This always happens to me: Shimoda Design Action X70

So, 2 full months after I bought my Shimoda Design Explore 40 backpack, they opened a Kickstarter for a new line of packs. Called the Action X series, they're basically a collection of improvements, many of which were universally requested by owners, including myself.

My first real, composite photograph

Today, despite watching others do this for years, I've finally started using it for its intended purpose: modifying photographs to create images that don't exist in real life. I guess you can infer by my tone that I'm not a huge fan of photo manipulation, and you'd be correct. There's a fine line between photography and art and I feel wholesale manipulation of the image to create something that cannot be captured in whole, within the camera, as dishonest. However, I draw that line at profitability. If you're profiting from a reputation as a photographer while creating digital art and misrepresenting it as a photograph, I take issue with that. If you're creating art for the sake of it and representing it as such, for profit or not, I have no problem. The gray area is of course the line between reality and art. What I did, while photorealistic, is what I would classify as art because you couldn't recreate my result in a single photograph.

How To: Equip Your Gitzo Series 1 Mountaineer 4 Section Tripod Removable Feet

If you didn't already know, the Gitzo Mountaineer Series 0 and 1 Tripods come with fixed rubber feet. I can't speak for the 3 section versions, but generally the Mountaineer Series 2 and up come with 3/8"-16 threaded interchangeable feet, while those below have permanently affixed rubber feet. So I decided to buy a final leg section and foot for the GT1545T Traveler, already knowing it shared the 14.7mm leg diameter with my GT1542 Mountaineer but comes with a threaded cap to support 1/4”-20 interchangeable feet. The part number for the leg section is D106023 and the foot is D108623.

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