What may just look like wasting money, there’s an actual reason why I’ve bought into the Wine Country Camera filter holder system and round filters to replace the kits I had before: I’m planning to purchase a Fujifilm GFX-50S by year’s end.
This is one aspect of the Wine Country Camera system I was not expecting at all. While most systems fit up to 82mm lens threads, the Wine Country Camera holder is able to fit lens threads up to 95mm due to its much larger size. It still takes 100mm filters, but combined with the filter Locker system that engages the rails to provide up to a 15mm larger diameter lens aperture, the adapter system and holder also places the filters closer to the front element for a shorter overall profile. The result is the ability to fit on both larger and wider angle lenses than other filter holders.
Canon is trying to sell us cameras from 2016 at 2019 prices, all up and down their lineup. Their biggest advances have been made in their entry level cameras, a market mostly ignored by both first time buyers and enthusiasts. As ILC cameras have become a luxury in the age of smartphones, the impact of entry level models will continue to shrink moving forward. The future is in models that appeal to enthusiasts while Canon has dumbed down their lineup instead. They’re still banking on entry level, mass market, low cost, high volume models while the consumer has been filtered down to primarily enthusiasts. The mass market has lost their desire or need for the ILC.
I know I said previously I would be following up my first look with my new Wine Country Camera (WCC) filters with a full review of their performance and it's already been a while since I said that. The reason I've been stalling is because I've ordered a set of WCC Blackstone ND filters for my Formatt-Hitech Firecrest 100mm holder and I now plan to compare the round set to the square set for any difference in performance. So, uh, stay tuned?
Despite owning, and being quite satisfied with, my Formatt-Hitech Firecrest 100mm filter holder kit, I also like to keep a 77mm ND filter set for lightweight carry. The B+W set I previously used worked fine but had a noticeable magenta color cast that was especially evident in the 10-stop ND filter. I recently decided to give Wine Country Camera's filters a try based on endless reviews touting their well controlled color cast. Should these work out well, I'll probably switch my 100mm ND filters out for WCC.
Out of the box, the Leofoto LN-324C made for an intimidating presence. Fully extended, it was clearly as tall as advertised and the weight seemed about right. Looking more closely, all the details looked right. Tearing it down exposed finely machined parts all around and a carbon weave that didn't betray it's "10 layer" claim; the weave was consistent throughout with no waviness or warping of threads and no pitting or cracks in the resin. All of the aluminum bits are finely milled with no tooling marks. Parts that may have originally been cast were finely machined to remove any casting seams and cuts into it were obviously milled. The anodizing is consistent all around and all of the included optional hardware is of similar quality. No flashes, splinters or metal shavings anywhere. Metal on metal contact points showed evidence of lubrication and glided through their movements smoothly.
Oh, you're an "enthusiast," "professional," or talking face on YouTube? This camera wasn't designed for you. It was designed for the audience you spew your crap opinions at, like, "pros only shoot full frame and just because you don't get paid doesn't mean you're not a pro-level shooter. You need full frame if you want to be a pro." Well, now all of your viewers who have no technical reason to shoot with a 35mm camera now have a 35mm option with the price and features commensurate with an entry-level product.
Went to Discovery Park's West point Lighthouse to observe a confluence of events: king tide, strong wind gusts and gradual clearing of skies. The hope was to get waves crashing near the West Point Lighthouse. Unfortunately, the tide began to recede quickly and by the time the light was good, the waves could no longer reach the point. The result was a bunch of mediocre photos that I decided to use for practice in Lightroom instead. Maybe I can sell a couple of these to a church for use as flyers or book covers or something.
Cold, wet... a lot more rain fell than originally expected when I left the house. It was an absolute mess but Fujifilm proved to me how well they sealed the X-T3. Combined with the 16-55mm ƒ/2.8, the combo remained water-tight in steady wind and rain with no attempt at protection. Because of the weather, I was obviously a bit low on inspiration, but figured I'd post what I got for the sake of others who took part.