How I Got the Shot

Let’s talk about how I got this shot. I shot it using a Fujifilm GFX50S and GF 80mm ƒ/1.7 WR with a Tiffen Black Pro Mist 1/8 halation filter, lit with a Godox V1 speedlight and the magnetic grid at 1/8 power. The grid kept the strobe from spilling onto the wall and I opened the curtains for the window behind her to allow the morning light to hit the ceiling. I placed my camera on the floor, angled upward, lining up the natural light behind her head and balanced the flash to the room’s exposure with the lens wide open at ƒ/1.7. The Tiffen Black Pro Mist 1/8 adds a bit of halation to the natural light and gives her hair an aura while lightly softening the skin…

Review: Fujifilm GF 110mm ƒ/2 Portrait Lens for GFX

Usually the 85mm, or equivalent, lens offered on a system is one of their best lenses optically due to its popularity for portrait photography. The Fujifilm GF 110mm ƒ/2 is no different in this regard. Despite being one of Fujifilm’s first 3 lenses for the GFX system when it was released in 2017, the formula still holds up. The hype surrounding the GFX 100’s release last year also caused a resurgence in this lens’ profile and popularity. It’s reputation has reached near mythic proportions and for good reason: this is an excellently performing lens. It’s not without its flaws, but it has the right combination of flaws to give it character.

Adapting FX?

You may have heard that Fujifilm has opened the door slightly to third-parties regarding their APS-C based X-mount. It seems they've finally given in to both unrelenting pressure from their users and the reality of being able to fully flesh out their lens lineup with more niche lenses in a timely and profitable way. One example: poor sales of the $5995 XF 200mm ƒ/2 with 1.4x Teleconverter, a specialty prime designed for sports and wildlife photographers. It seems very few people "clamoring" for that sort of lens actually put their money where their mouths are and has made Fujifilm gun shy about serving up more high performance, expensive, niche lenses. However, the result is Fujifilm opening up X-mount to approved third parties...

Updated Flatlay

I've been acquiring more and more stuff to support my photography over the past summer and, since my last flatlay photo was taken back in May, I thought I'd update the image with all of the new gear I've acquired. This is limited to just my Fujifilm bodies and glass. There's far more laying around in support of this, from bags to filters to tripods and everything else in between. At least I've hit a plateau, now owning all but 1 or 2 lenses on my list, transitioning to the acquisition of the filters and platforms I need to support my work.

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