About my look, or photographic post processing style… It’s changed over the years, from a more documentarian style where I’d simply correct colors to taste and crop when needed, to my current dark aesthetic. It really developed from a combination of my camera history, my life experiences and finally letting my honest self be reflected. Let me explain each of those 3 elements and then bring it all back together.
I purchased my first ever creative filter: a Tiffen Black Pro Mist 1/4 for diffusion. It should soften up direct light sources and skin while holding sharpness... or at least that's what it says on the tin.
Volunteered for Kate on a photowalk to the Seattle waterfront recently. After spending the past few months doing lonely portraits to practice using strobes in 1, 2 and 3 light configurations, it felt good to go out and do some of the type of photography I'm most passionate about.
So, why did I volunteer and for what? Since Seattle is still under a pandemic lockdown that limits group sizes to 5 people, I chose to help by leading a group so more people could participate via proxy groups.
Pier 62 reintroduces a location and perspective that's been missing since it closed for reconstruction. While somewhat pedestrian, the addition of new attractions and changes to the skyline have given it more value when compared with similar locations, both old and new. However, like those other locations, it offers a limited perspective and thus limits its overall value, long term, as a photographic location. It's one that will become over saturated by the end of the summer as a landscape and cityscape destination, even during a time of reduced foot traffic due to the pandemic, but will easily persist as a street, tourist and especially portrait photography location for years to come. Once the new waterfront master plan is completed, Pier 62 could become one of the premium destinations for environmental portraiture and street photography, due to its prime location, identifiable backdrop and potential for high foot traffic.
Known for shit weather, the Washington coastline can be a bit of a toss up when it comes to photos, but even when the weather isn't particularly good for beach going, it can still be great for photos. During the summer, weekly events draw in thousands from around the state, so there are opportunities for all types of photographers; from landscapists, astrophotographers, street photography and even instagrammers, it's all there.
Very simply: Does Wine Country Camera actually use the same glass and coatings between their filters? I wanted my filters to produce the same results between my filter sets to reduce post-processing time. Recently, I replaced my B+W and Haida ND filters with WCC because the results between the two would cause difficulties in post as I'd work to match the output if I used both during the same shoot.
So I've revisited a few photos from the past year and applied what I've learned in Lightroom since then. The hope was to take what I felt were good photos and try to make them better, possibly even worth printing, since I liked the views.
I went back and took a fresh look at some of the photos taken during my vacation in Long Beach, WA. Decided to process some of them with the Acros emulsion courtesy of Fujifilm and Lightroom. As a peek into my process, I normally shoot in the default Provia simulation but rarely use the OOC jpegs. My preference is to manually post process from a RAW file converted from the original RAF using X-Transformer. The first step in Lightroom is to add a Fujifilm emulsion, either Provia or Astia for portraits, or Provia or Velvia for landscapes. If the photo calls for it, I'll then return later and apply the Acros emulsion once all other adjustments have been completed.
I ended up taking some of my best photos so far, ones that truly display how far along I've come in my hobby since picking it back up again. Obviously I'm quite proud of these. Side by side with photos I've taken a year ago, the progress made is immediately apparent. Of course I still have a long way to go before I achieve anything truly remarkable, but these are noteworthy for demonstrating my progress.
Last weekend I took a few photos of Snoqualmie Falls while staying at Salish Lodge. The weather was gray, the clouds lifeless. The photos didn't come out half bad, all things considered, but then I decided today to process a few with the Acros film emulsion.
Suddenly the photos came to life.
After 7 years, it was finally time to replace my mid-2011 21.5" iMac with something larger and more powerful. The transition to using Adobe Lightroom to process my photos, and the slow performance even when exporting JPEGs from the original RAW files was the driving factor toward making the purchase. It's my declining eyesight that convinced me to go with a 27" iMac over another 21.5" model, not to mention the lack of user-accessible RAM in the current 21.5" iMac.
Went with Craig to Wallace Falls State Park near Gold Bar, WA to shoot the falls and get some hiking in. The weather was a bit uncooperative, ending up sunnier than we were expecting. The forecast called for overcast skies by noon but, despite the gathering of some clouds, it didn't manage to block out the sun much...
The question, "why don't the photos on my (insert model) camera show up in X RAW Studio?" has popped up far too frequently but wrong answers have been popping up even more. The X-T20's firmware was updated recently, bestowing upon it compatibility with X RAW Studio, leading to a surge in people downloading the firmware but not downloading the updated user manual linked directly below it. So now they seek people to give them the answer to their boggle in exchange for minimal effort expended, their keyboards lacking a button to activate any "search feature." The most popular response has been, "you must transfer the RAW files from your camera to a folder on your computer first."
Hitched a ride with Craig and Brianna to Mount Vernon to find a tulip farm on Monday evening before the Skagit Valley Tulip Festival of 2018 came to a close. We figured Monday would be the best day of the week to avoid large crowds, while going as late as possible would afford us the widest range of natural light and hopefully include golden hour. Our needs were met by Roozengaarde Tulip Farm: They were open until 7pm and ejected patrons at sunset, far later than the oft shared Tulip Town, which closes at 5pm. As a welcome surprise, the weather was exceptionally nice as high temps crept to nearly 70 degrees Fahrenheit and mostly clear skies...