Very simply: Does Wine Country Camera actually use the same glass and coatings between their filters? I wanted my filters to produce the same results between my filter sets to reduce post-processing time. Recently, I replaced my B+W and Haida ND filters with WCC because the results between the two would cause difficulties in post as I'd work to match the output if I used both during the same shoot.
Serious question: What’s so great about Gitzo tripods? After spending a few hours inspecting my new Gitzo GT1542 Mountaineer Series 1 tripod and GH1382QD Series 1 ball head, for every positive engineering or design decision they made, there’s an equally puzzling or outright poor one. For now, I’m going to focus solely on the knobs for the ball head. I promise I’ll focus on the other things later once I’ve gotten a better look, but the next item will be the leg angle locks.
Since finding joy in landscape photography, I made the decision to try and do as much "in camera" as possible in an attempt to teach myself the art of photography, rather than exploit the science of photography, to create a photograph. As such, I slowly learned exactly what that meant and have been on the quest to acquire the best tools for me to do so, starting with a solid tripod and high quality circular polarizers.
From there, I continued. I bought a set of B+W ND filters in 3-, 6-, and 10-stops. Then, I bought a Formatt-Hitech (F-H) 100mm Firecrest filter holder kit so I could use graduated ND filters, solid ND filters, and a circular polarizer all at once.
I know I said previously I would be following up my first look with my new Wine Country Camera (WCC) filters with a full review of their performance and it's already been a while since I said that. The reason I've been stalling is because I've ordered a set of WCC Blackstone ND filters for my Formatt-Hitech Firecrest 100mm holder and I now plan to compare the round set to the square set for any difference in performance.
So, uh, stay tuned?
After the trip to Forks, I realized I needed a mini tripod for those times when I forget my full or travel sized tripod. One that's small enough to carry all of the time and when height isn't all that important compared to just getting the shot. This is one of those things I'll be throwing into the bag whenever I may encounter low light, ensuring I can use whatever shutter speed I need to get proper exposure without fear of instability.
Despite owning, and being quite satisfied with, my Formatt-Hitech Firecrest 100mm filter holder kit, I also like to keep a 77mm ND filter set for lightweight carry. The B+W set I previously used worked fine but had a noticeable magenta color cast that was especially evident in the 10-stop ND filter. I recently decided to give Wine Country Camera's filters a try based on endless reviews touting their well controlled color cast. Should these work out well, I'll probably switch my 100mm ND filters out for WCC.
Out of the box, the Leofoto LN-324C made for an intimidating presence. Fully extended, it was clearly as tall as advertised and the weight seemed about right. Looking more closely, all the details looked right. Tearing it down exposed finely machined parts all around and a carbon weave that didn't betray it's "10 layer" claim; the weave was consistent throughout with no waviness or warping of threads and no pitting or cracks in the resin. All of the aluminum bits are finely milled with no tooling marks. Parts that may have originally been cast were finely machined to remove any casting seams and cuts into it were obviously milled. The anodizing is consistent all around and all of the included optional hardware is of similar quality. No flashes, splinters or metal shavings anywhere. Metal on metal contact points showed evidence of lubrication and glided through their movements smoothly.
My B2 ball head has had an issue with drift since purchase, and after months of dealing with it, I felt it was now time to finally fix the issue.
The G2 a high quality, low profile ball head with huge capacity and smooth action that punches well above its weight. It compares favorably against more well-known name brands even if you take out price as a factor.
This lens was once an excellent value from the inception of the X-Series system until now. Unfortunately due to Fujifilm's push to dominate in video, the introduction of the ƒ/2 lens, and the announcement of the 33mm ƒ/1, the 35mm ƒ/1.4 has lost all reason to exist in its current form. A complete redesign, implementing these features, could create a lens that outsells all of their other lenses by appealing to the widest range of users and without having to compromise.