Single row panoramas have always seemed to thwart me. Either the scene was never appropriate or they wouldn't stitch for one reason or another. After getting the stuff I needed to establish the nodal point on a couple of my lenses, I decided to give it another go from Kerry Park.
Shot the Blue Angels performing on Sunday from the top of my condo building. This year, I benefitted from both the autofocus speed of the Fujifilm X-T3 and the reach of the XF 100-400mm ƒ/4.5-5.6 lens. The result was being able to actually see into the cockpits during some of the low passes around downtown. This is also without the 2x teleconverter installed, whose 2 stops of reduced light gathering would have slowed down the shutter speed to being nearly unusable.
Went on another photowalk, this one being a bit more fruitful due to the weather conditions at the start time. Why do I do this to myself? I'm generally asocial and not very talkative, especially around people I don't know, preferring to operate alone. Despite that, it's hard to learn without someone to learn from and it's difficult to be inspired by my coffee table, so I fight my urge to run away for the sake of education and practice. Regarding the setting, while it wasn't ideal for golden hour, the cloudy skies and convergence zone did make for dramatic views and a highly textured backdrop to the humdrum scene. I hit the shutter over 40 times, but the result was less than 15 kept, fewer still that I liked and only 3-4 that I've processed to completion so far. As for the evening, I took the Doc Maynard from downtown to West Seattle, meeting up with Kate Hailey and the attendees at Marination Ma Kai at Seacrest Dock. Two hours of rambling north, and then west, from the dock to Alki Beach as the sun set in the background behind a small convergence zone. Afterward, I jumped on the ferry back to downtown.
Very simply: Does Wine Country Camera actually use the same glass and coatings between their filters? I wanted my filters to produce the same results between my filter sets to reduce post-processing time. Recently, I replaced my B+W and Haida ND filters with WCC because the results between the two would cause difficulties in post as I'd work to match the output if I used both during the same shoot.
Went to Discovery Park's West point Lighthouse to observe a confluence of events: king tide, strong wind gusts and gradual clearing of skies. The hope was to get waves crashing near the West Point Lighthouse. Unfortunately, the tide began to recede quickly and by the time the light was good, the waves could no longer reach the point. The result was a bunch of mediocre photos that I decided to use for practice in Lightroom instead. Maybe I can sell a couple of these to a church for use as flyers or book covers or something.
Normally in Seattle, we'll get a couple of inches of snow per winter. This winter, the snow showed up both late and in force, dropping 5 inches of snow on downtown in a single morning. This is on top of a few inches earlier in the week plus a few more inches a day later. As the snow begins to melt from slightly warmer weather bringing rain in the 24 hours since, I've managed to get a few photos processed that reflect the views around downtown in the early hours, shortly after the snowfall stopped. I walked around downtown at 4am capturing the empty city streets and landmarks between Chinatown and Pier 66. While not very significant compared to other parts of the country, and even the region, the snow was one of the largest single accumulations in recent history for downtown.
The first three were taken before the penumbra even reached the moon. The weather had just begun to clear but a few clouds still managed to cross the sky before clearing moments before the Earth's penumbra began to cast itself upon the moon's surface. The full moon's glow and reflection on the passing clouds created an eerie look that was just too good to not photograph. All three were bracketed shots but the second is an HDR stacked in Lightroom. The first and third were fully recoverable from single images at the proper exposure.
It'd been a while so I decided to attend the Glazer's Photowalk on Sunday, Jan 13th in West Seattle. The weather cooperated despite being in the bowels of winter but it was a bit TOO sunny, creating harsh shadows and contrast for the outdoor exercise. I chose to shoot with my 85mm equivalent, the 56mm ƒ/1.2, allowing me to keep some distance between me and my subjects while permitting me to fill the frame with subjects should I choose to do so. The large aperture also allowed for shallow depth of field shots. To do so, I used a 6-stop ND filter, giving me the ability to shoot with a shutter speed that prevented motion blur despite the bright, cloudless skies. It also gave me enough leeway to add blur by drilling down the aperture only a bit.
finally went out to take some photos since the Alaskan Way Viaduct is closing for good this weekend. i ended up hitting the Pier 66 Rooftop Park at sunset then moved back to the Pike Place Marketfront location above the viaduct. finally, i went through Post Alley on the way home. oddly, it was through Post Alley that inspired the shot i liked the most from the set.