Gonna make this quick... I finally had a chance to take the Fujifilm GF 80mm ƒ/1.7R WR lens for GFX out on a photowalk to peer thru it from an urban landscape and street photography perspective. Let's say I'm a little more than impressed. There's something about this lens that gives everything a 3 dimensional quality. The subject just pops right off the page. Sure, that's what large bore portrait lenses do but there's something special about this lens, a quality my GF 110mm ƒ/2 lacks. Even compared to the Sigma Art 85mm ƒ/1.4 I previously owned and adapted onto the GFX 50S, the GF 80mm exceeds it in lifting the subject out of the frame.
Thanks to Glazer's Camera here in Seattle, I was able to get my hands on the fujifilm GF 80mm ƒ/1.7R WR on release day. Since then, the weather's been shit, so I haven't been able to test it. I have been able to take some sample shots in my home, running all the way through its ƒ/1.7 to ƒ/22 aperture range and from minimum focusing distance to infinity. I've also shot it with both of my macro tubes, for shits and grins. The 80mm was a lens GFX owners have been screaming for for years now. It's a common focal length in medium format portraiture and one of the most common focal lengths you'll see if ever shopping for a medium format film camera. It's odd Fujifilm has chosen to ignore it for as long as they have and I'm assuming it's due to some internal strife over how it should have been engineered... a fight between ultimate resolution versus ultimate character. In the end, they seem to have landed on a mix of both and you'll see why as you read this review.
I purchased my first ever creative filter: a Tiffen Black Pro Mist 1/4 for diffusion. It should soften up direct light sources and skin while holding sharpness... or at least that's what it says on the tin.
This is the best image I've shot so far in the past year. I took it 2 days ago, during the winter storm we had here in Seattle, at Post Alley near the Harbor Steps. The lighting, the glow created by the falling snow, deep shadows and lots of straight, converging all came together for this long exposure. I tend to be excessively modest about my photography, but this image stood out as soon as I took it and reviewed it in my viewfinder. To me, it's just hauntingly beautiful and perfectly encapsulates the feeling I had while walking through the 6 inches of dry, powdery, freshly fallen snow at 4am. Because of Instagram's image compression, you miss out on all of the subtle nuances that exist in both the diffused light and shadows. The gradation of both color and tone, the sparkle and texture of the snow, details in the shadows... none of this is visible until you see it in full, 16-bit, ProPhoto RGB color. Because of that, I'm posting it here in full, uncompressed, 16-bit TIF format. No watermarks or BS in the way so you can see it as I do and judge it on its merits. (Warning: this is a 330MB file. Click image for full size) Enjoy!
Cold, wet... a lot more rain fell than originally expected when I left the house. It was an absolute mess but Fujifilm proved to me how well they sealed the X-T3. Combined with the 16-55mm ƒ/2.8, the combo remained water-tight in steady wind and rain with no attempt at protection. Because of the weather, I was obviously a bit low on inspiration, but figured I'd post what I got for the sake of others who took part.
Normally in Seattle, we'll get a couple of inches of snow per winter. This winter, the snow showed up both late and in force, dropping 5 inches of snow on downtown in a single morning. This is on top of a few inches earlier in the week plus a few more inches a day later. As the snow begins to melt from slightly warmer weather bringing rain in the 24 hours since, I've managed to get a few photos processed that reflect the views around downtown in the early hours, shortly after the snowfall stopped. I walked around downtown at 4am capturing the empty city streets and landmarks between Chinatown and Pier 66. While not very significant compared to other parts of the country, and even the region, the snow was one of the largest single accumulations in recent history for downtown.
It'd been a while so I decided to attend the Glazer's Photowalk on Sunday, Jan 13th in West Seattle. The weather cooperated despite being in the bowels of winter but it was a bit TOO sunny, creating harsh shadows and contrast for the outdoor exercise. I chose to shoot with my 85mm equivalent, the 56mm ƒ/1.2, allowing me to keep some distance between me and my subjects while permitting me to fill the frame with subjects should I choose to do so. The large aperture also allowed for shallow depth of field shots. To do so, I used a 6-stop ND filter, giving me the ability to shoot with a shutter speed that prevented motion blur despite the bright, cloudless skies. It also gave me enough leeway to add blur by drilling down the aperture only a bit.
I've been acquiring more and more stuff to support my photography over the past summer and, since my last flatlay photo was taken back in May, I thought I'd update the image with all of the new gear I've acquired. This is limited to just my Fujifilm bodies and glass. There's far more laying around in support of this, from bags to filters to tripods and everything else in between. At least I've hit a plateau, now owning all but 1 or 2 lenses on my list, transitioning to the acquisition of the filters and platforms I need to support my work.