When the X-H1 was introduced, it was described as a sibling lineup; specifically an approximately 60/40, video-weighted hybrid that also shot great stills. It had a larger body and grip, not just to facilitate the IBIS system, but to give it better balance with larger cinema lenses for owners seeking a capable video camera. The X-T series was defined to be exactly the opposite ratio; a stills-centric camera that also shot great video. However, like the odd inclusion of a factory adjustable leaf spring shutter switch on the X-H1, a feature that's more coveted by stills shooters, the X-T4 has also incorporated a couple of weirdly out of place features that betrays Fujifilm's original description of the X-T series being stills-focused.
As a Youtuber, credibility should be important to you if you're doing anything more than vlogging your daily experiences. Integrity is the only thing that can establish trust and credibility. So, here are my top 5 ways to establish, or protect, your credibility as a Youtuber.
Out of the box, the Leofoto LN-324C made for an intimidating presence. Fully extended, it was clearly as tall as advertised and the weight seemed about right. Looking more closely, all the details looked right. Tearing it down exposed finely machined parts all around and a carbon weave that didn't betray it's "10 layer" claim; the weave was consistent throughout with no waviness or warping of threads and no pitting or cracks in the resin. All of the aluminum bits are finely milled with no tooling marks. Parts that may have originally been cast were finely machined to remove any casting seams and cuts into it were obviously milled. The anodizing is consistent all around and all of the included optional hardware is of similar quality. No flashes, splinters or metal shavings anywhere. Metal on metal contact points showed evidence of lubrication and glided through their movements smoothly.
Oh, you're an "enthusiast," "professional," or talking face on YouTube? This camera wasn't designed for you. It was designed for the audience you spew your crap opinions at, like, "pros only shoot full frame and just because you don't get paid doesn't mean you're not a pro-level shooter. You need full frame if you want to be a pro." Well, now all of your viewers who have no technical reason to shoot with a 35mm camera now have a 35mm option with the price and features commensurate with an entry-level product.
This lens was once an excellent value from the inception of the X-Series system until now. Unfortunately due to Fujifilm's push to dominate in video, the introduction of the ƒ/2 lens, and the announcement of the 33mm ƒ/1, the 35mm ƒ/1.4 has lost all reason to exist in its current form. A complete redesign, implementing these features, could create a lens that outsells all of their other lenses by appealing to the widest range of users and without having to compromise.
My purchase of the Benro Adventure 2 Carbon required me to consider a compact tripod, the Benro ProAngel 1. Here's my review of it.