When the X-H1 was introduced, it was described as a sibling lineup; specifically an approximately 60/40, video-weighted hybrid that also shot great stills. It had a larger body and grip, not just to facilitate the IBIS system, but to give it better balance with larger cinema lenses for owners seeking a capable video camera. The X-T series was defined to be exactly the opposite ratio; a stills-centric camera that also shot great video. However, like the odd inclusion of a factory adjustable leaf spring shutter switch on the X-H1, a feature that's more coveted by stills shooters, the X-T4 has also incorporated a couple of weirdly out of place features that betrays Fujifilm's original description of the X-T series being stills-focused.
Fujifilm proudly declared they would not be going with a 35mm sensor size in the future, for one, believing that it's a bit redundant since they currently cover APS-C and cropped medium format. There are significant benefits to both formats: the former covers a Super35 area and is currently fast enough for excellent video capabilities that consumer level 35mm cameras are currently unable to match, while medium format has a level of detail and low light capability that exceeds all current 35mm format sensors.
A few weeks ago, I went to my local camera store to check out the X-H1 when it was released. Based on my 20-25 minutes with it, here’s what I found:
Beginning with a Fujifilm X-T20, a cold, wet November hike to photograph Twin Falls enlightened me to the benefits of a weather sealed camera. It was then durability surpassed convenience in priority and I bought my Graphite Silver Edition X-T2. 90 days later, I feel I’ve spent enough time with it to render a proper judgment, so here’s my own review of what I’ve experienced and ultimately learned.